Whatever Takes Your Fancy

WTYF IS MOVING OUT!!!!

2009-08-06T16:21:00.001+09:30

....To wordpress.

Yes i know this may be frustrating for my three readers, but i feel like a change from blogger (its starting to bug me tbh) and wordpress offers the easy interface, pretty layouts and all round quality that i think this blog is looking for. So ill take this opportunity to thank everyone for their support and hope you follow me over at my new address:

NEW ADDRESS NEW ADDRESS NEW ADDRESS NEW ADDRESS NEW ADDRESS

www.wtyf.wordpress.com

Bookmark and share away!!

Much Love,

Alex

WTYF IS MOVING OUT!!!!

2009-08-06T16:21:00.000+09:30

Book Review : The Bible

2009-07-31T13:12:00.002+09:30

Take the time to read this, it is in my opinion extremely well written comedy, and an article that rather than bashes religion manages to offend neither side of faith - religious or not - and still elicit a good laugh.

READ IT HERE

:)

Kashiwa Daisuke - April #07

2009-07-24T13:21:00.002+09:30

This remix record of Kashiwa Daisuke's first LP April #02 is simply breathtaking. The record opens with a solo piano extracted from the song April #02 just as all these pieces are. You can pick each part of the 27 minute original in these remixes but they are also very distinctly detached from the original track. The whole thing is a standout but my absolute favourite track, and possibly fave track of all time is the Jean Michel remix which incorporates a sparse arrangement formt he beginning before the extreme lowends take hold and form the song into an onslaught of glitch and heavy beats - brilliant.

Christina Courtin - Christina Courtin

2009-07-23T18:44:00.003+09:30

Classically trained violinist turned singer-songwriter Christina Courtin last month released her first album featuring a myriad of guest appearances on a wide range of instruments. Produced by Greg Cohen this album shifts forms constantly channeling a chameleon vibe throughout its course.

Courtin draws inspiration - well rather influence from Ani Difranco in the more folky tracks and simultaneously drifts away from the classic singer-songwriter mould delving into spacious arrangements, quirky pop tinges and soft unspoken balladry easily.

You can purchase digitally from Nonesuch records and find out more about Christina Courtin here!

Parov Stelar - Coco

2009-07-22T11:49:00.001+09:30

"With his unmistakable sound-mix of Jazz- and Swing samples and electronic music, Parov Stelar has secured his own unique position in the world of music. His upcoming fourth album “Coco” is eagerly awaited. The double CD starts off where his successful LP’s “Rough Cuts”, “Seven And Storm” and “Shine” ended. On the other hand he is consequently developing his established jazzy sound, by adding new stylistic elements to his tunes. Also his dancefloor-productions, that up to now have only been published as singles, find a debut to a greater extent on his album. They meet with Stelar’s melancholic-melodious trademark-sound, which is well known from his earlier albums, but now is also spiced up with Hip-Hop beats and synth-pads. Parov Stelar manages to build bridges between his own worlds of sound with these extensive LP as well he as he does with listening- and dance-music in general. An electrifying album to fall for. The two CDs are originally thought of as one with tracks that can be danced to and one with tracks just for listening. Nevertheless the line between those two approaches becomes blurred in Parov Stelar’s newest compositions. The album makes your feet tap more and more with every track. The musician himself sees the whole thing as a “book for musical readers” which is classically defined in introduction, middle part and end. Because of downloading hit numbers on downloading platforms the “listening in” to albums and thereby reflecting on less prominent tracks, is lost. Parov Stelar sets “Coco” as a statement against this habit. Apart from two cooperation-tracks with the saxophone-player from his live-band, Max The Sax, Stelar has cooperated with six singers from different genres. This again gives “Coco” a characteristic, one and only feeling"

Get Excited...

New Blog Addition

2009-07-21T13:11:00.001+09:30

Just posting to draw your attention to the Blog "The Noise Is..."

You can find it Here and in my blogroll!

Peace

Lamar Holley - Confessions of a College Student

2009-07-19T13:31:00.003+09:30

Pop instills fear in me, it's the kind of music that i often turn down because of my pre-determined judgements of the whole genre - this could be because I wasn't exposed to The Beatles as a child or have not grown up on catchy hooks and melodies of The Beach Boys. Fortunately Lamar Holley has reinstated my faith in Pop music.

Confessions of a College Student presents the listener with an interesting foray of powerpop gems surrounding the life and times of a College student - falling in love, falling out of love and expereiencing all that College has to offer. I'd understand if the phrase 'Pop Musical' where to make you cringe inside but the music is so well crafted that it does not ooze of gummy bear niceness so much as it touches the heart and begs to be spun a second and third time round.

Biology introduces the story of a student encountering college for the first time, awash in a gaze of people all attending a biology class the students' eye is caught by a girl, and so sets the theme of the album. Madame Shamrock centrepoints the album with its splendourous vocal harmonies and Pretend That She's Ugly invites a comedic yet joyful way to approach the students' dillema.

I'm in no way familiar or a fan of the Pop world, however Lamar Holley's Confessions of a College Student rekindles my love for well crafted, melodic and seemingly simple yet intricate songs begging for a second listen and enticing you into the writer's world.

You can purchase Confessions of a College Student by Lamar Holley at these very convenient locations...

CDBaby
ITunes

Harry Potter Vs Transformers Review

2009-07-16T21:42:00.002+09:30

What could be more different? One film perusing the story of a boy wizard encountering sorcery and magic of grand proportions and the other a bombastic cum ambitious tale of robot wars unfolding beneath our very own eyes - well in fact there are more similarites than differences although the execution of each film seperates them quite distinctly.

We'll have to set a few things straight before i dive into the review, some precursors if you will - as a casual filmgoer i am both virgin to the cinematics of both pictures, and subsequently been unexposed to preceeding literature of either fashion. In this case my knowledge of Harry Potter's umbrelic storyline and Transformers epinomous debut binds me to a certain objective wall, and in the wake of my position i feel it neccesary to deconstruct these films on entertainment value solely. But I wont. In fact what the hell am i talking about ill go on...

Essentially what you get with Transformers (2) is a beaten up storyline with essentially a few gloriously hot girls to carry home the bacon, and yes they are hot, but they certainly do not carry the story anywhere with the climax taking upward of an hour to unfold and more rusty metal than you could poke a stick at id much rather prefer to go to a spare parts car yard and throw around some scrap metal, but hey, talking robots are cool right? But not my cup of tea.

So how does Harry Potter fair? Well, to be honest it relies less on gimmicks and moreso and its fantastical wonderings of magic - and unlike Transformers failing to hook me into fighting robots Potter and Co aptly manage to catch my eye with dazzling effects and thought out post-production imagery. The wizardry was melded with slapstick humour, even borrowing ideas from absurdist forerunners such as Samuel Beckett with it's various "Waiting for Godot-esque" dialogue that carries on between Potter and Weasley - quite amusing to say the least. Unfortunately the film carried the same achiles heal as Transformers only in reverse - in that it's beginning almost dabbled in various plots and did not build sufficiently to it's climax (although much better executed than Transformers' dispirate attempts at acting with robots)...im sorry i just don't get it.

The curmudgeon of ideas does sort itself out in Harry Potter and provides for an entertaining film, while Transformers seems to go absolutely nowhere for too long...hell... even the girls in Harry Potter could match those in Transformers...

Sargeant House Ideals

2009-07-16T14:22:00.002+09:30

Long time no post. I know. Ive been taken by a few things in my life as of late but now i bring you a post by Sargeant House rep Cathy Pellow, outlining her and echoing others' views of the music industry juggernaut of today and i find her words fitting to post here, enjoy:

Taken from the Sargeant House Blog (find in bloglist)

"I’m going to quote a guy named Skwerl who writes for a music site we like very much called Antiquiet. This quote comes from a review he did of a band we also like very much called Portugal the Man, who along with RX Bandits are in the same situation. They are both hard working, honest, integrity-filled artists that have incredible records coming out on July 21st and who should both be in the Top 10 on Billboard the week they come out but sadly, most likely won’t. Let’s change this.

“While the 'evil' music industry can be left for dead, some of today’s best bands could be at the top of the charts if more people still applied at least some level of sanctity to the act of purchasing a record and showed their support with a ten dollar bill. One could take this scenario one step further and envision a NEW MOVEMENT, if it could just be proven that there’s substantial commercial demand for product of true quality." - Skwerl

Imagine if the mediocrity on the radio airwaves were to be replaced with great music? It could be, but it’s really up to us, because in the end it’s "follow the money” that makes stores stock records, venues book bands, radio play songs, etc. So, let’s spend our money on quality and no longer accept these iPod playing / fake, auto-tune, lip-syncing band scenarios.

I’m asking you all to help us make a dent. Let’s put these albums made by real musicians with integrity in their proper place at the top. This is a David and Goliath moment for all of us. We are hoping that RX Bandits new album Mandala, which we made available a week early via AmazonMP3 for only $2.99, is inexpensive enough to be able to contribute to our quest to show it can be done – good music can and must prevail! So besides this being an album we think is beautiful, creative, progressive and a work of art, and even if you don’t agree with us on RX Bandits, well then step away from that and think of the bigger picture –it is time for the music lovers' voices to be heard, it is up to you to help bands and labels like us who support and play non-traditional , non-commercial music to become the winners.

The state of the music industry feels to me like the state of the nation at the time of the last election. What did people do? Instead of complaining, we got off the couch and VOTED for the first time. Voted to change this country's course – we need to do the same – we need to rally to elect real musicians & great music to the office of #1 on Billboard. I’m not here to beg for money, I’m here to beg for music to be recognized, for real artists to be acknowledged. I hope that everyone that wants change in the music industry and on their radio dials will buy, or should I say contribute $2.99 toward a cause much bigger than one band's record. We couldn’t be happier to have teamed with Amazon to be able to offer the RX Bandits album Mandala, for a price less than a cup of designer coffee, because we want everyone to hear it. We want no one to have the often-valid excuse of “I don’t have the money." So, I hope you’ll vote, I hope you’ll contribute – I hope you will listen, It’s up to all of us that claim to love independent music. It really is.

CLICK HERE TO BUY

Please buy albums by great bands. If not the new RX Bandits album then, please make a gesture today and purchase a hard working, true band's album today – let’s change things.

Much respect to you all, except the haters

from the little label that is trying to push boulders up that hill.

The Dear Hunter - Act III: Life and Death

2009-07-05T22:15:00.003+09:30

The Dear Hunter story so far....a Boy is born to a woman who moves away from the city life to the lake and the river, is brought up and forms a close bond with her. The mother dies and the boy goes back to the city to discover his mother's previous life, in doing so falls in love with a prostitute who breaks his heart causing him to flee and join the army...and so begins Act III of the six part tale of The Dear Hunter. Mr Crescenzo the man behind the musings claims that the story is a romanticized version of his own life, so it is deeply personal which translates to the music he writes and the lyrics he pens and while some (very few) label his ambitions as pretentious, his humble persona (i've met him in person) would suggest otherwise.

Act III is astonishing to say the least, set amidst World War One the main character (known only as the Boy) fights not only the battles of war but battles within himself as he comes ot terms with Ms. Leading. The concept is drenched in drama and set in a world like no other, as is the music. Fans of genre bending will love this but it does not verge on the pretentious metre one bit, as the music adequetly reflects the era of which the story is set. Cresecenzo writes chronologically well with the delicate and refined 20's feel of sweeping strings permeating a good portion of tunes on this record - not overbearing but enough to set the scene of the moment - and god is it done well. Saved beckons with sweeping string arrangements and wonderous vocal harmonies while Mustard Gas turns the epic meter to 11 with a full blown orchestration, gang vocals, and guitar driven frenzy.

While Casey and Co set the scene perfectly well they also accomodate for the darker things of war, the four part series of tracks early in the album represent the evils of battle - The Tank signifies destruction in an aural assault of ominous strings, powerful vocal delivery and frenetic drumming; The Poison Woman offers a ragtime affair of bluesy jostling while closing with probably one of the most memorable moments of the record (there are many btw) involving a sax singalong climax; The Thief conveys greed with its rolling almost Radiohead-esque bassline sprawl as it bends it's way into the aforementioned Mustard Gas.

Not unfamiliar with balladry the band shwocases it's softer side throughout this aggresive album in Saved incorporating sweeping string arrangements, pulsing rhythmic drums and layered harmonious vocals, and in What It Means To Be Alone we are treated to a pop masterpiece chopping and changing all throughout. The Dear Hunter command attention in He Said He Had A Story rollicking around behind a marching band of horns that just ooze sexiness in the breakdown.

I'd go on and on about every solid song on this record but i'd be writing forever, i will highlight the albums final three tracks which incorporate everything from dramatic ballroom romanticism to ultimate guiatr heroics from the one and only Erick Serna, and i'll leave the review at that, as you really have to let the album do the talking for itself...

Buy the album via links in their myspace - here

Beirut - Live at the Music Hall of Williamsburg

2009-06-29T16:20:00.004+09:30

I don't think it's possible for this man to dissapoint me, and until that day i shall remain enchanted by his incredible music. This live take transports the listener around the world. During 'La Javanaise' im sipping latte on the French Riviera, in the middle of 'Gulag Orkestar' i feel im leading a thousand romans into battle and half way through 'East Harlem' im drinking red wine with the love of my life. Beirut conjures images a plenty with his eclectic style melding together everythign that is delightful about his music - the ukelele, french horns, trumpets, harpischords, unique percussion and a myriad of ethnic nuances that you would like to add into that list. You really have to taste his brilliance for yourself to understand what this young man is all about.

PW in the comments.

The Mars Volta - Octahedron

2009-06-26T22:38:00.006+09:30

I bought this album today, after a ten hour shift and it made me happy. The album lulls in with a minute and a hald worth of subtle waves of synth before a dualistic acousitc/electric guitar lead writhes its way into focus. And really, this sets the tone for the rest of the album, an album nourished with mysterious harmonies of Cedric's sublime vocals and delicate intricate musings composed by Omar.

Althought built around a number of slow burning, often haunting ballads - see the wonderfully eerie With Twilight As My Guide or the glitch laden (yes glitch laden) Copernicus, the album does carry that trademark Mars Volta sound, albeit a little subdued. Teflon is immediately catchy and contains some of the darkest lyrics Cedric has ever written, while closer Luciforms builds magnificently to dizzying heights only to crash down, leaving you wanting more...

All aroudn this is a great album, ive been walking around my house all night humming the tunes, its very addictive and catchy - which is not a bad thing. U'll need a password for this one - find it in the comments :)

Ani Difranco - To The Teeth

2009-06-23T14:17:00.003+09:30

To The Teeth has been slaughtered in critics reviews and fans alike for it's huge departure from Difranco's trademark acoustic singer-songwriter mould that she'd dug herself into early in her career - and to be honest i don't really understand why. Ani hinted at thsi newfound direction in her previous album Little Plastic Castle which incorporated the use of jazzy horns and playful cancions that only enhanced her back catalogue - this album, i believe, took her sound to a whole other level of maturity.

Title track opener is classic Difranco, a plucked guitar and her unique voice acocmpany each other beautifully as she sings about America's gun ownership laws, with some very witty lyricism if i may add,

"And if i have to hear one more time, about a fools rigths, to his tools of rage...i'm gonna take all my friends and move to Canada...and die of old age"

Her obvious prowress for lyrical ability holds it's own throughout the album, which from this point on drastically shifts from a folk wonderland to something akin to a smokey jazz and swing bar, old men playing poker in the corner smoking cigars while Ani jams out her tunes to precision. From the get go you can tell that Ani is full of angst, pain and suffering - the album is considerably dark and this is evident in both her songwriting and lyrics,

"I dont know if im strong enough, to do this much longer...god i wish...god i wish i was stronger"

Going Once makes use of a saxaphone to perfection anchoring the song all the way through till it fades into Hello Birmingham, an extremely evocative piece surrounding the bombings of abortion clinics in the US. Difranco trades off the sombre for the catchy in the next 'fun' section of the record. Back Back Back contains an infectious sing along chorus while Swing employs the talents of a rap artist, done considerably well with complete with hip hop beats blended conspicuously with folk undertones.

All in all this is a very strong record from one of th emost reveered and prolific female song writers of the last 20 years, and only highlights the depth and broad focus of such a talented artist.

These Armes Are Snakes - Tail Swallower and Dove

2009-06-18T18:53:00.005+09:30

For some reason These Arms Are Snakes (TAAS) have not 'grabbed' me like many bands out there, but they are certainly unique for the genre they are often pinned down into. The brand of post-hardcore / metal they create comes from a well developed, unoriginal pool of lackluster bands, but TAAS have a certain flare in their stylings - it could be in the abrasive vocals, the thick synth like basslines or the overwhelmingly heavy guitars but there is just something that when im in the mood for, ill blast it.

Ambitiously titled Tail Swallower and Dove is their third (i think)...or is it fourth full length from this American act, their first EP was nothing short of brutal and their first long play effort 'Oxeneer' for short was an amalgamation of the vocals and instruments described above and since then TAAS have evolved their sound, not dramatically, but enough to keep a casual listener interested.

The album itself has some 'heavy as fuck' moments and they still utilize their signature rhythmic danceable basslines to maximum affect however they seem to be combining these with a much more focused and cleanly recorded dynamic. The guitars meld together beautifully, the bass drives the songs and the vocals eshrew sheer intensity.

The album starts off with a start stop heavy number which ahlf way through changes direction to conclude with a powerful heavy guitar crescendo and this sets the tone for what this album is going to entail. The only request that i ask of TAAS is that they stay away from 3 minute songs - the only one on the record 'Prince Squid' tends to annoy me with its drum and vocal only intro and seems daft and uninspired - but this detrimental sphere gives rise to TAAS's heralding stregths - they know how to write an epic. "Ethric Double" and "Seven Curtains" surpass the five minute mark and encompass everythign from gigantic buildups, elongated metal jams and sprawling synths that amalgamate all that is perfect aobut this band into one sitting.

Yes, this album has flaws, but the strengths far outweigh what is a generally solid album.

Testing this stuff…

2009-06-11T19:20:00.001+09:30

So it seems I can post blog entries using Microsoft Word… I'll just use this to say hello and I hope your enjoying the music on here so far…

Cheers!

Alex.

Kill and Eat - Green Bushes (alright now records)

2009-06-09T19:42:00.005+09:30

Kill and Eat's record Green Bushes is a sparse and challenging listen. Released in 2008 and awarded a re-run and set free on March 31st 2009, the three track jazz trip can be described as a tidy clusterfuck of jamming between a few friends and an amalgamation of simple ideas to form complex arrangements. No, I don;t really understand what i mean, so i'll lay it out for you.

Green Bushes leads off with the 18 minute title track, ushered in by quavering vocals that never quite seem to find their place but still managing to carry the delicate piano in the background. The two elements compliment each other and somehow manage to (after a few listens) click in your head. At the five minute mark the piano sways and rolls in like constant breaks on a winter's beach growing with intensity, informing you that soon these breaks will pull further in with intricate fingers on the keys.

It is at this point that the song opens up and experimentation begins with the piano rising and falling from whence it came. Just before nine minutes we hear slight hints at what is to come, the song begins to form its main centrepiece as light taps of wood on metal permeate through a smoky jazz bar piano solo. Mmmm yes this is why it takes 10 minutes to build, because when it does it is beautiful. Before long what i can only make out to be a muted trumpet is introduced to the mix adding another layer of complexity before the song make its final dash to the finish line with triumphant emotion.

The remaining two tracks offer the listener a sketch of what the former song built itself to, offering an upbeat vocal pattern, which at times repitive, gives way to an upbeat piano solo that keeps your feet tapping as drums hold tight the jazz pop cacophony. Closing the album is "Elipses" which to me is a perfect way to cap off the journey that this 30 minute record offers you, complete with distorted trumpet, a piano melody that brings a smile to your face and work on the kit that flows underneath it all.

This music is definately new ground for myself, the jazz fuck-a-bout style that is the first track afetr repeated listens doesn't come off so much as messing about as it does a genius way to build to a pleasant conclusion - and is only complimented by the two 'sketches' that round off a solid effort from this little-known American duo.

You can download the album and donate HERE

Also, check out he label Alright Now Records

Demon Fuzz - Afreaka!

2009-06-07T21:38:00.001+09:30

Continuing on from the last funk filled post, i give you Demon Fuzz, a soulful blend of funk, jazz, heavy rhythm and dance that will keep you moving all night long. Punctuated with heavy brass and slick guitar work and infused with sexy drumming, smooth bass and soulful rich vocals this album from way back in the 70's is sure to not dissapoint.

These guys take you on a journey throughout their songs, often swithcing up the pace mid song and going off in wonderful tangents. Definately check this out.

Lee Field and The Expressions - My World

2009-06-01T22:02:00.002+09:30

Sorry for the absence of late - but i've come back with an explosive, emotive and all encompassing soul train of funk. Lee Field transcends what it is to be a 60's and 70's soul master and corroborates it to the 21st century on his album My World. Rolling bass lines and beat heavy drums accompany his impassionate voice that demands to be heard. Soul lathers itself in horn sections, soaring strings and mesmerizing guitars as Field's croons about lost love and social change.

The album contains three insturmental pieces that roll in between such heart aching ballads as 'love comes and goes' and 'my world is empty without you', nothign can deny the straight up soul of 'ladies' and the politcally driven 'money is everything'. Take a trip down a soulful alley and you won't regret it...

So Quiet - Summer and Winter

2009-05-22T16:51:00.006+09:30

So Quiet is the music project of Tomasz Bień, a young Polish architect and graphic designer, who is also part of the duo At Home. The album consists of delicate acoustic soundscapes and refined electric accompaniments that produce a dreamy, lo-fi wonderland.

His songs craft themselves as they build with tiny pianos and child like acoustic guitars while being lathered with playful synths and organs that carry an organic feel of floating on air. Falling asleep tot his is bliss.

Saltillo - Ganglion

2009-05-21T17:35:00.003+09:30

It is with great pleasure that i dedicate the blogs one hundredth post to this album. I don't know why I havn't posted this yet, in fact it astounds me that I have not. This album encompasses beauty and pain and all that comes in between. Songs of distant love and confused madness characterise this collection of beautifully orchestrated tracks.

Believe it or not, this record is the work of one man and his many instruments - soldering together the earthliness of strings and delicate female vocals with out-there electronic beats and texture. Saltillo succeeds in drawing influences from all realms - whether it be the native indian vocalisations on "Grafting" or the western slide guitar of "I'm on the wrong side" he manages to present a focused and enigmatic portrait of the modern neo-classical sound.

WTYF News

2009-05-21T14:18:00.001+09:30

So I have been running this blog for a while now and have decided to take it in a new direction...well not an entire shift, but rather a growth of scope. I do enjoy music, as i'm sure you do - and i'm sure a lot of you really enjoy your independant artists. This is where things are going - not only do i want to utilize this blog to show people the music I personally love - i also want it to be a blog that promote's undiscovered, unheard talent.

What I am trying to say is - if you are part of a band who want to be heard/reviewed/promoted - and want to send either physical copies or digital copies of your music to me to be reviewed/promoted and potentially heard by many many people who visit this site - do not hesitate to contact me via email at shibby_2_that@hotmail.com

In the near future some more changes will be occuring regarding this site - but i'll wait till I have something concrete till I reveal anything more here...

Cheers,

Alex

Caspa - Everybody's Talking, Nobody's Listneing

2009-05-19T20:38:00.002+09:30

Caspa is a DJ. That's about all i know really - featured on this album is a sick concoction of deep dubstep bass, jungle rhythms, a couple of powerful hip hop numbers and some chillout downtempo beats - a very interesting and diverse record.

The Dear Hunter - Act III: Life and Death Pre-Order!!!

2009-05-19T11:35:00.003+09:30

Yes people, today is the greatest day (well maybe) of my life - i just pre-ordered this badass limited deluxe edition of the new Dear Hunter record. It is an embossed dvd package that comes with a 32 page full colour booklet, 14 double sided psotcards AND an autographed poster. June 23rd cannot come any quicker....

If you too would like to pre-order all you have to do is go

to their myspace and follow the seyx links ... but be quick - they will sell fast!!

Closure in Moscow - First Temple

2009-05-11T13:08:00.004+09:30

Oh hey! A decent local band - not too many of these in Australia. Closure in Moscow come from good old Melbourne - when they were living here they toured frequently with shitty scene bands and that is probably one of the main reasons why i have not heard of them until yesterday...

Moving to America and signing to Equal Vision Records was a very good move - a lot of equal vision bands are bland and uninspired - but this is one of their very few exceptions (bear vs shark [RIP], moros eros [RIP] and the Kinison [RIP]) - oh shit....hopefully these guys have a longer span than those fabulous bands.

The music? it's fast, powerful and frenetic post-hardcore. Very technical guitars and soaring vocals - the vocals simply are amazing and make this album what it is - lead singer *enter name here* has a great range and knows how to belt out a tune - and htis only makes the music better. Opening Kissing Cousins is catchy as hell while vanguard is an all out assault of powerful guitars and thundering drums. Album highlight is A Night at the Spleen - motherfucking catchy as hell and id be lying if i was not turned on aurally during this song...

Unfortunately the second half of the album does die down abit - but hey i cut them some slack coz it's their first full length. Well done indeed.

After Three Seconds - Genius Loci EP

2009-05-07T18:29:00.003+09:30

After Three Seconds are from Southbury, Conneticut in the United States - and to be honest i got no freaking idea where the hell that is because im from Adelaide, SA, AUS. But this doesnt matter coz music travels accross great seas to reach individual's ears right? Well this EP has successfully journeyed it's way to my ears - thank you interwebs.

You'll find a varied offering with this, i can only assume, the bands first foray into recording - and although it is obvious that there is a young group behind the tunes - there is also evidence showing musical maturity and knowledge (of which i have none of). Opener Tunguska immediately grabs hold of the listener with it's upbeat nature and use of jangly piano along with punching guitars - and to be honest there is nothign wrong with the piano playing this role - Pinkly Smooth did this successfully and so do these guys. The track really excells (and grabs my attention) with the piano solo at the breakdown (it's a fuck yeah moment) - it's melodic and powerful and bordering on cheesy...not nightwish cheesy but just enough to make it enjoyable.

Solstice is really where the bands maturity shines - the verses channel Ben Folds Five to perfection - this may not be a positive thing for many of you out there but i'd be lying if i didn't enjoy me some Ben Folds. The track has a semi-adult contemporary indie-pop feel (way too many genres there but who cares) but quickly transitions to a pseudo-metal sounding chorus - and then floating back to the original acoustic lullabye that ushered in the track.

Seven Skeletons Dancing. I have a bone to pick here...no pun intended of coure...I cannot get over how the vocal melody mirrors that of..dare i say it...Avril Lavignes "Complicated". Other than that the track offers a boppy indie number which is catchy as hell - driven by acoustic guitar and once again that piano which is a delightful element of the bands repetoir.

Finally, to end the EP we have a nine-minute romp of prog-rock goodness. Dead Man's Lantern is wisked in with some white noise and footsteps before a solo guitar starts to take hold - reminds me of The Thirty Years War (the band that started the Fall of Troy) - some neat drum work joins in and the song kicks off - shit some cool keyboard just kicked in...why not? I really enjoy the vocals on this one, showcasing the indie-rock tendencies of the band - its 'nice' in a good way.
This song reaks of sexy keyboard in the middle - whoever wrote the music somehow knew that i love that type of keyboard (seriously i know nothing about music i just know that this keyboard tone is whack) - so back to the song - there is some shredding and stop starting and powerful instrumentation which encompases the calm before the storm so to speak - everythign is stripped back to what i can tell is a semi-acoustic guitar accompanied by some thick bass goodiness, enter the piano, the building drums and we are set for the storm...

Is this EP enjoyable? Hell yeah, it's poppy, it's catchy and it has some seiorus rock out moments - if it wasn't for the semi-avril lavigne moment half way through id enjoy it even more - but that's not to say you shouldn't keep an eye on whats to come.

After Three Seconds
Download For Free Here

Maybeshewill - Sing The Word Hope In Four Part Harmony

2009-05-04T23:29:00.005+09:30

So here it is, thanks to a genorous anonymous comment (TY very much) - the leak of Maybeshewill's new album! I believe it is variable bitrate and tracklisting is as follows. Once again thanks to anonymous person for the link :)

OH and in case you are wondering...its fucking awesome.

Megaupload link if you are having trouble with dl...

--------------------------------------------------------------------------

Artist: Maybeshewill
Title: Sing The Word Hope In Four-Part Harmony
Genre: Rock
Label:
Bitrate: V0 vbr
Rel Date: 2009

01. You Can’t Shake Hands With a Clenched Fist
02. Co-Conspirators
03. This Time Last Year
04. Accept And Embrace
05. How to Have Sex With a Ghost
06. Our History Will Be What We Make of It
07. Last Time This Year
08. Sing the Word Hope in Four-Part Harmony

Hu Zi & Wang Juan - Gemini Trip

2009-05-03T18:54:00.002+09:30

Transport yourself to a deep sea chillout vibe of grand proportions. Sweet chinese vocals lay softly above electronic beats complimented by an array of instrumentation. The album consumes the listener with ease takign them from a physical position to that of emersion in another world. Sounds spin and swirl around you while the vocals lay focus on your mind and keep you wanting more.

Random Post For Anonymous # 8 - Trust

2009-05-02T12:03:00.005+09:30

Trust is something we constantly use every second of the day without knowing it. At this moment in time I am trusting that my internet won't cut out so i can post this waffle for you. But often trust is a lot more than just that. Imagine you were blind and about to cross the road - firstly you have to trust your own hearing - is the sound to cross the road for this direction or that direction? Or if a stranger offers there arm, do you trust them to take you cross the road safely? How much trust do you have in the drivers on the road to stop when the signal is red? These are all questions of trust - so who have you put your trust in lately?

Headphone Review - Beyerdynamic DT770 Pro (250 ohm)

2009-05-01T18:34:00.002+09:30

So i am no audiophile, which means this review won't be as pro as it should be. All i can tell you about these headphones is that they are so crisp, so full and so damn good.

I'm currently listneing to Organic Stereo's Brightness and the bass filters through the strings with magnificent ease while the taps of the xylophone permeate each ear and the bass drum breaks the thin ice with cleanliness. Bleeps whistle from side to side and i can still here the violins whizzing away in the background...

These, so far, are great for electronic music and anything experimental. Strings are hearty and vocals are forefront to any piece of music. Clarity is at an all time high with the cans handling multiple instumen arrangement with significant ease.

Comfort wise the velour earpads are a definite plus, although a little tight around the ears im sur ehtis will diminish with time as the bands get weaker. As for look...they don't make me look like a douche - they are quite fashinable...well as fashionable as headphones can get and look great. Well worht the 320 dollars - thanks Kevin Rudd :D

Beirut - The Black Sessions

2009-04-26T15:40:00.002+09:30

Ive always been interested on getting my hands on some live Beirut - ive been captivated by the way he layers his voice on his recordings and have been champing at th ebit to see how he can transform this into a live setting. What i find is this young man adapting to a live set by varying his voice even moreso - delving into different vocal techniques almost resembling sanskrit at times but alwasy beautiful. The ethnic undertones are set by his accompanying band which sets the mood through this journey of European folk tunes. Im only half way through and am loving it!

Hope you do to.

Silversun Pickups - Swoon

2009-04-24T21:42:00.003+09:30

Whats that song...Lazy Eye? Yeah that's it, so spun that a few times with my gf, yeah it's pretty chilled reminds me of Smashing Pumpkins and a bit of young Claudio Sanchez belting out some vocals. This band is Silversun Pickups. Welcome the their world of crunching guitars, thick basslines and childish yet maturely dark lyricism.

I chose to give Swoon a real goer, moreso than their first LP Canavaras. It is certainly dark and disturbing, when you actually listen to it...

Princeton Dictionary defines swoon as to Faint or pass out from weakness - the guitars on this album feel very constricted and repetitive and for htis reason i feel like im gonna pass out halfway through. This band created a certain syndrome called Silversun Pickup Syndrome (SPS) where their songs run 2 minutes to long. Sometimes its a great thing, coz they kick each song from level 8 to 15 on th epower charts - but it does become tiring.

That being said, i should give credit where credit is due in that the string sections bring this album a virtuous texture and added sheen to a very depressing affair. The only happy track is the first one and its all downhill from there - 'how many times do you wanna die? how many ways do you wanna die?" geez man i got issues as it is!

But there are plenty of catchy hooks, denouments and all out rocking on this record which warrants its place on this blog. Please enjoy.

The Dear Hunter - Act III: Life and Death

2009-04-24T08:59:00.001+09:30

April 23, 2009
THE LATEST CHAPTER IN THEIR EPIC ROCK OPERA; ´ACT III: LIFE AND DEATH´ DUE OUT JUNE 23 ON TRIPLE CROWN RECORDS; TOUR WITH MEWITHOUTYOU STARTS JUNE 8.

THE DEAR HUNTER will be releasing the third chapter of their rock opera on June 23 via Triple Crown Records. ACT III: LIFE AND DEATH chronicles the latest endeavors of "the boy," now a man, looking (and finding) love, loss and reinvention.

To celebrate the album´s release, THE DEAR HUNTER will hit the road as direct support for Mewithoutyou starting June 8 in Richmond, VA and concluding July 11 in Boston, MA.

ACT III: LIFE AND DEATH was produced by singer/pianist/guitarist/lyricist/multi-instrumentalist Casey Crescenzo and guitarist Andy Wildrick. It was recorded at the band's studio in Providence, Rhode Island, and features a number of guest musicians playing everything from strings and horns to harps and woodwinds. The music for this epic project is once again a joint venture between all the band members—Casey Crescenzo, Andy Wildrick, Erick Serna (guitars), Nick Crescenzo (drums) and Nate Patterson (bass).

One of THE DEAR HUNTER´s biggest fans, Anthony Green of Circa Survive, is one of the first people to hear the finished version of ACT III and is eager to share his thoughts about it with fellow musicians and fans alike:

"When I first heard ACT III (which was only very recently, so it´s still new to me), I had the feeling of being proud of my friend, being proud to hear him outdoing himself once again. It came to me in a time when I was in a ring of self-doubt, and it was incredibly inspiring. One moment you´re drunk at a dangerous gypsy wedding (´Saved´), the next you´re hearing some Freddie Mercury and Janis Joplin lovechild, making you rock and bob your head incessantly, singing ´ohh on the other side´ or ´we have to learn to live a lie or we´re waiting here to die´--so breathtaking--you might be saying, ´oh well he´s just that dude´s buddy and would like anything he did,´ but to that I say, ´f**k you.´ He's threatened to kill me on more than one occasion and if this s**t wasn't important I wouldn't listen to it or feel such an urgent need to pass it along and share. The album makes me want to be a better musician, it also makes me grateful to live in this amazing time in musical history where an artist like Casey should be nurtured like a baby seal that could save all our lives one day with its flippers or nosey."

"Every band wants to say that they are evolving," says Casey Crescenzo about ACT III: LIFE AND DEATH, "and that with each new record they are tapping into a new era for the band--usually spouting off a phrase akin to ´This record is so much more melodic--the heavy parts are heavier, and the soft parts are more serene.´ A record speaks for itself and the only job of the artist is to create and not promote. Having said that, we make no attempts to declare the magnitude of the record from the point of view of the audience. The only thing we can proclaim is how rewarding the creation of the record has been and just how profound the effect of that creativity has been on our lives. As we approach the point of detachment, we hope that this work can translate to the listener."

He continues, "The themes for the record fall slightly darker than previous work. Set in a WWI era, ACT III sets its own course with no direct historical ties, only a loyalty to the emotions of the human spirit, documenting the metamorphoses of a fictional central character as he makes the transition from innocence to impurity. With a great deal of care given to marrying all aspects of an album, ACT III follows these themes within the context of lyrics, music, and tonality."

ACT III is the follow-up to 2007´s ACT II: THE MEANING OF, & ALL THINGS REGARDING MS. LEADING, which was described by Alternative Press as an album that "...goes from haunting and otherworldly (´The Oracles On The Delphi Express´) to utterly fantastic—´The Bitter Suite 1 And 2: Meeting Ms. Leading´ is a chamber indie-pop masterpiece, complete with an instantly memorable piano line and a chorus as big as the song title."

Outburn magazine took it a step further: "ACT I: THE LAKE SOUTH, THE RIVER NORTH was a precursor to what Casey Crescenzo could create via his vice, The Dear Hunter. A genre shattering concept album, ACT I set the precedence of what was to come with his follow-up ACT II: THE MEANING OF, AND ALL THINGS REGARDING MS. LEADING. While ACT I contained chapel-like verses, hard rock guitars, and non-vocal selections, ACT II pushes those parameters on a gargantuan scale with a score apt on a Broadway level…Dare not call ACT II a concept album, but rather, abstract musical poetry. 9 out of 10"

"Leaving pride out of the equation," declares Casey, "we strongly suggest you set aside an hour of your day, remove yourself from the woes of reality and enjoy ACT III: LIFE AND DEATH."

www.myspace.com/thedearhunter

www.thedearhunter.com

Tracklist:

1. Writing on a Wall
2. In Cauda Venenum
3. What it Means to be Alone
4. The Tank
5. The Poison Woman
6. The Thief
7. Mustard Gas
8. Saved
9. He Said He Had A Story
10. This Beautiful Life
11. Go Get Your Gun
12. Son
13. Father
14. Life and Death

Source: Absolutepunk.net

Maybeshewill - Sing The Word Hope in Four-Part Harmony (PR)

2009-04-22T18:56:00.001+09:30

MAYBESHEWILL - SING THE WORD HOPE IN FOUR-PART HARMONY
Release Date: 1st June 2009 | Label: Field Records

Summer 2009 sees Maybeshewill release ‘Sing The Word Hope In Four-Part Harmony’, less than 12 months after their debut LP ‘Not For Want Of Trying’ hit the shelves.

The band have once again eschewed the ‘industry’ route whilst making this record – Shunning studios in favour of a DIY approach to recording, mixing and mastering the material in their rehearsal space on a budget of literally nothing. Taking this ethos even further, the band choose to book their own shows and run their own Press and PR company (Robot Needs Home) rather than employ anyone else to do these jobs for them.

‘Sing The Word Hope In Four-Part Harmony’ once again takes the wide-screen expanses and beauty of Post-Rock and combines it with the immediacy and brutality of hardcore. This is an intentionally ‘accessible’ instrumental record – The climaxes and breakdowns condensed into a concise thirty minutes of noise.

It’s difficult for an instrumental band to make a serious social statement without the use of lyrics, but ‘Sing The Word Hope In Four-Part Harmony’ is just that. Set against the background of the current recession, and born out of six months of touring their debut LP, this album is a journal of four twenty-something’s thoughts and experiences during tough times.

Maybeshewill are on tour throughout May with ‘And So I Watch You From Afar’ (Smalltown America) with the album released on Monday 1st June through Field Records in the UK and in July through Xtal in Japan.

Parov Stelar - Monster - The Cash Candy Remixes

2009-04-19T19:04:00.002+09:30

Parov Stelar is one of my favourite artists and this three track EP is 100 per cent quality with 110 per cent energy. This EP is very elusive so i do not have a link to it but i did buy it - that's right - i wanted it that badly haha. The first two tracks are Monster and Nosferatu remixed - the former and heavy beat laden dance floor burner and the latter a horn filled exhibition of frenetic groove. The Ep finishes with Silent Snow remixed by Roland Schwarz - this is my favourite of the three tracks - has a very ncie jazzy flair with subdued sax and a bouncy rhythm.

His Hideous Heart - Only The Earth Can Make A Tree

2009-04-13T00:02:00.004+09:30

Opener Only the Earth Can Make A Tree floats along quite serenely, comparatively to a child's lullaby and invites the listener into the delicate world of His Hideous Heart. This record tends to meander through indie pop stylings to dreamy soundscapes all with pertinent ease. It makes the experience pleasurable.

The strong song writing continues with Dancing in the Wind with some ear catching basslines and fast paced drumming. Something happens next - you're transfered to the next song This is Fullerton - a fun, galloping tune that begs for your legs to bounce up and down - and why not? The lead guitar is brought to the forefront to drive the song till subtle strings can be heard adding texture to the simple yet deceivingly complex song.

Ok so what i like about this album is they have succesffuly channeled the season of Spring to me. Weird i know, but all i hear in music these days is summer and winter. ffs where is my spring?? Well here it is - take a listen and see everything bloom.

Bark Cat Bark - Á Lífi

2009-04-11T01:41:00.004+09:30

It is 1:47 am and I am sitting here writing this review. I do not know where to start. Maybe I should lead off by highlighting this young man's age - he is 18 years old. That's younger than me. The musical maturity displayed on this record is comparable to that of modern classical composers such as Max Richter or Kashiwa Daisuke - at such atender age this French native has crafted an eclectic record that showcases his relentless ability to combine the rich and engaging history of French folk and European historical stylings with the modern electronic swaray is breathetaking.

The opening track Verona invites the listener to have a taste of everything Josh Todd has to offer - a 10 minute meditation around a simple idea to showcase hiss multi-instrumentalist talents - most notably on the piano and acoustic guitar, but ranging from accordian to violin. Much of this record can be compared to Zach Condon but i find a much more sombre mood in Todd's compositions, as well as a lot more variation between the elctronic and the historical musical citations.

It is his solo piano piece that marks the centre of the album that really drives home the fact that this teenage prodigy is the real deal. Père Lachaise is this centrepiece and if it does not move you i do not know what will. It's contemplative and evocative - just sit there, with the lights down and no distractions please...because this album will take over.

New Music Soon...

2009-04-10T15:03:00.000+09:30

Ok so it's been a bit quiet as of late...but i promise i have an awesome album coming your way...

Bars of Gold - First Live Show (bootleg)

2009-04-02T22:48:00.004+10:30

So i haven't even listened to this yet but ima post it for ya'll anyway. For those of you who are familiar - the man who looks like he is possessed in the photo above is Marc Paffi (formerly of the illustrious band Bear Vs Shark). Yes, this is the new band that has risen form the ashes of the much beloved aforementioned...so check this bootleg out, it's their first show and i am expecting good things...

Tracklist:
01. Intro 1
02. Born a Cannibal
03. Intro 2
04. Up Up Up
05. Intro 3
06. Doctors and Lawyers
07. Intro 4
08. Cars Asleep
09. Intro 5
10. Birds

New Layout

2009-03-31T20:50:00.001+10:30

Yeah so new layout - cleaner, moodier, sexier, more efficient if you will. I like it, i hope you do too :)

Wolf Myer Orchestra and Parov Stelar - Femme Fatale

2009-03-31T15:34:00.003+10:30

A delicate blend of soul, jazz, trip-hop and pop constitutes Wolf Myer's Femme Fatale. With a myriad of guest vocalists it is diverse and rich in quality with sexy soulful vocals provided by many and is accompanied by Parov Stelar's signature downtempo, smooth sound. At times dark and confronting, with dashes of funk and dance this album is great for those cool nights.

Boards of Canada - Music Has The Right To Children

2009-03-30T19:08:00.003+10:30

Smootm ambient synths wind in and out, drift through the air an into your ears just as a feather would to your hands. The ambient and earthly sounds are accompanied by glitchy beats that maintain punchy rhythms and hop around electronic bliss.

This is the way to wind down and relax...

Minus the Bear - Planet of Ice

2009-03-29T19:39:00.003+10:30

My love affair with Minus the Bear started when i picked up their Menos el Oso album 3 years ago. I brought it home and listened to it while a friend dyed my hair - i was going through a phase with my music - an exciting one which would lead me to greater things. The same could not be said for my hair that night...

Planet of Ice feels like an icy album - an album that you put on when the rain is hitting hard against the windscreen of your car. I also get this sense of sexual passion, i know weird right? But it is like Minus the Bear have sexually matured - ageing from adolescence to men - and it shows in the lyrics of songs like White Mystery and Patiently waiting (if you have the aussie release).

Lotus is a huge trip of prog greatness while the images of drinking warm sake on a cold Japanese night could not be pulled off any better in the alluring song Part 2.

Random Post for Anonymous # 6

2009-03-28T15:46:00.003+10:30

This is not a humerous post. This is not a beam of light. This is a post of extreme disdain and disbelief...Above is a photograph taken from the crash two minutes from my house at 12.30am on the 28 of March 2009. Two cars were drag racing on Magill road in excess of 150 kilometers per hour. They lost control of their cars and both crashed head on into stoby polls. One man was killed instantly. One youth dragged himself out of his burning wreck with only one leg. Two other passengers were seriously injured.

It is difficult to feel sympathy for these people. In fact, i do not feel sympathy, not one bit for the man who lost his leg (possibly two). I hope he is haunted for the rest of his life for killing and seriously injuring people he knows. I hope he is haunted with the images of familes gathering at the crash site in horrific agony because of his actions. I hope he never lives it down. He never will.

What happened was a tragedy, but like most tragedies could have been avoided - stupidity like this should not be glorified and should not be praised. The only saving grace that came out of this ordeal is that no innocent people/bystanders where killed - but that is not always the case.

This Adleaide reader sums the whoel thing up pretty well,

"The best thing for our youth is not to experience death (for which they have no concept) but to understand suffering (which lasts a life-time): Suffering with permanent physical or intellectual disability. Loss of independence and freedom. The indiginity of having someone else attend to their basic hygeine. The guilt and anguish of killing a(n) innocent bystander and robbing a family of their precious loved ones. If the survivor only lost a limb then he was relatively lucky. He will now have a life-time to reflect on the death he was involved in and what advice he might give to future generations."

Grow Up.

The Mars Volta - News (new album...)

2009-03-26T23:36:00.001+10:30

So my beloved band the Mars Volta will be releasing a new album titled 'octahedron' in Australia on June 19th 2009.

Well, this is the case if we are to believe triple j (id say a very reputable source here in Australia).

So yeah, im excited, even if you're not haha.

Peace

Sage Francis - Personal Journals

2009-03-18T19:08:00.003+10:30

Oh yeah, so not a big fan of the Hip-hop genre, what with objectifying women, killing people and shit. But hey, this album is a very very fine album - quality hip-hop with intelligence and not an over-exerted ego. I'd like to write a review for it, but Pitchfork Media have probably one of the best reviews iv'e read about this album, so here it is.

"Whatever else may be wrong with the Anticon guys, at least they're not afraid to say they need their mommies.

The Anticon hip-hop collective-- of which Sage Francis is some kind of member now-- have a reputation for brainy, convoluted lyrics and wordy self-examinations. Instead of chest-out bragging or shout-outs to their small-city hometowns, they use their rhymes to admit weakness, and to dredge up every small bad memory of childhood. Sage Francis lets it all hang out on Personal Journals, his first major solo release, using his assertive rapping and thick exterior to deliver a startlingly self-revelatory album. His voice, informed by spoken word performances, can take on a dramatic frenzy, matched by lo-fi but dynamic production from underground DJs like Odd Nosdam, Sixtoo, Jel, Joe Beats and Scott Metallic. And in case anyone thought that Francis was just a poetry slam-winning white boy who's here to read his diary, he also displays a sense of humor while flexing his lyrical muscles.

Francis takes himself apart a dozen different ways on this album, starting with two different approaches at self-portraiture. On "Personal Journalist," he explains himself with fast-paced abstract wordplay: "Non-prophet/ Artificially intelligent/ Avant-guardian angel... Loyal son, father to none." Chaotic street scenes and Jesus imagery fill out the track. On the more direct "Different," riding on a throbbing upright bassline, he pronounces himself a drug-free vegetarian who "wouldn't smoke the pot I was pissing in, and I had no dead homies to honor while pouring out the liquor I won't drink." I have seen the future of underground hip-hop, and it is straight-edge.

When he brings his family into the fray, the self-analysis gets murkier. Francis' relationship with his mother could fill volumes, and every track is full of haunting images and vague, unresolved guilt and blame. He talks about a childhood without a dad: "Eviction Notice" depicts Francis' mom fighting with her live-in boyfriends, while the disturbing atmosphere from cLOUDDEAD's Odd Nosdam evokes a picture of little Sage hiding under his bed. Francis' mom appears again in the brutal love/hate "Kill Ya Momz," which lays a heavy metal offensive over a creepy, innocent recording of young Sage doing a devoted Mother's Day rap. And then there's "Inherited Scars," one of the album's best tracks, about his younger sister; as he looks at her scars (self-mutilation? Tattoos? Are they the same thing here?), he implores her to "stick it out" at home as he tries to decide who's to blame-- their father or himself-- without ever answering the question.

Grown-up Sage isn't any less complicated. The beats are not only lo-fi, but hypnotic and claustrophobic-- especially the hand drums and drum kit that Sixtoo puts behind his fevered rapping on "Buckets of Silence." That and "Specialist" are back-to-back studies of obsessive love, where the wordplay grows frantic: "I'm a slow self-esteem engine in need of a whore's power.../ I'm holding a sleepless beauty pageant on my shark-infested waterbed until it's punctured." The rejection and his own abusive loving give us one picture-- "Mr. Feel-Nothing," who "saves his tears inside of a cup, and he drinks and he forgets that he's an asshole." But then there's the tender side that comes out in the unabashedly gorgeous "Broken Wings," gliding on a beautiful piano line from Scott Metallic's production. It takes a tough man to sing a lyric like, "We don't need no wings to fly," and Francis pulls it off.

"By the end of the record I'll make sure y'all know who Sage Francis is," he promises early on, though he never convincingly finishes the job-- he's still figuring it out himself. There are people who will criticize the wordy, convoluted lyrics, or resent the hall of mirrors that Francis drops us into. But being complex doesn't make this art: Personal Journals is a success because it turns the self-examination into poetry and then, harder still, turns the poems into great rap. And as dark as he gets, Francis makes sure we have a good time: dig his sub-karaoke live remake of Bob Seger's "Turn the Page." Clearly, nothing embarrasses this guy.

— Chris Dahlen, April 30, 200"

Pitchfork rating: 8.7

Random post for Anonymous # 5

2009-03-16T14:16:00.002+10:30

i think it's number five...yeah it is...
Ok new features, a shoutbox to the right has been added to leave quick messages of anything you would like to say, please use it, anyone lol.

i'd like to follow on from a previous random post on University toilet graffiti. A funny one i saw the other day - "what are you looking up here for? the joke is between your legs!"

got me.

Soil & "Pimp" Sessions Feature Artist

2009-03-15T18:26:00.002+10:30

You can tell by the photo above that this is no ordinary Japanese jazz band - these guys are quite possibly the most fun, neergetic and downright awesome band i have come accross in the last year or so. I mean, they have a member who takes on the role of 'the agitator' at live shows - basically requiring him to agitate the crowd and get them ready to dance the night away.

Soil & "pimp" Sessions were formed from the tiring disco scene in Japan - they yearned for something fun to dance to, something fast, hectic and sweaty. What has arisen from this dull era is amazing and must be heard to be believed. Self-described as 'death jazz' the band is an onslaught of blistering horn sections, an astonishing drumming section (the guy does nto let up) and the added element of classy piano. It is fresh, it is danceable, and it'll keep you awake at night wanting more.

Soil & "Pimp" Sessions - Pimp Master (2005)

Soil & "Pimp" Sessions - Planet Pimp

RX Bandits - ...And the Battle begun

2009-03-14T15:25:00.004+10:30

So after a bit of a musical lull of sorts i have made a concious decision tof inally check these guys out. And damnit im glad i did - there's something irresistable for me about reggae/ska stuff, but i'd never listen to a whole album of the stuff. Enter RX Bandits - a what most people now would call a progressive rock band with elements of reggae and ska music - true to their early form.

It is an extremely impressive amalgamation of ska/reggae and progressive experimental rock ala The Sound of Animals Fighting - you can really hear in these songs how Matt Embree influenced that band. It is this ecclectic nature of the music that keeps you coming back. From the finger clicking tangent that 1980 takes you on to the hard hitting rock of To Our Unborn Daughters it is an absolute trip. And i cannot get past the awesome slower songs on this record - showcased by apparition and only for the night - technical and catchy and it's great.

Karate - 595

2009-03-09T19:09:00.002+10:30

For those unfamiliar with Karate (it should be obvious that im talking about the band and not the martial art). Jokes aside, Karate led by Farina is what some may regard as an influential band on rock movements to come, but what i regard as a fresh sounding, sonically challenging trio that combined their extensive musical knowledge with rock sensibilites to win hearts accross the globe.

This, their final release before disbanding is their 595th live show recorded in Italy i believe. It showcases the bands jazz/rock genre at it's rawest with prolonged jam sessions and expanded solos that differ considerably from their studios offerings. You will find everything here, the spaced out, soulful and spine tingling guitar playing, delicate and erratic drumming and smooth soothing basslines all combined with the touch of Farina's distinct voice.

Something for a warm summers night drive definately.

Parov Stelar - Monster

2009-03-03T14:43:00.003+10:30

Oh yes oh yes, Mr Stelar returns after his too amazing ep's The Flame of Fame and Libella Swing to bring us a new, fresh and tantalising amalgamation of house, electro and of course that nu-jazz sound that Parov is widely knwon for. Heavy drums open the title track with a vocal sample that builds to an eruption of brass instrumentation and club electro beats that would fit on any dancefloor around the world.

It seems this new direction Stelar has taken with his last few Ep's has re-ignited some sort of energy within the man usually known for his downtempo jazz bar scenic tunes - showcasing his strengths in upbeat danceable electronica but still witholding his unique spice of jazz and swing Monster closes with a jazzy-electro number saxaphone heavy and with just enough oomph to have you dancing in your bedroom like the music nerd you are.

Mokyow - Variations For Spiegel

2009-03-02T18:19:00.002+10:30

I hope whoever read my blog for the past month enjoyed the featured Japanese artists and groups - i have one final offering for you to complete the month of February (even though it is now March...).

Mokyow are from Tokyo and create an atmospheric styled post-rock akin to the likes of Sigur Ros - although i'd perceive it as alot less orchestral and much more organic. The prominent use of piano throughout the record showcases the subtle beauty of tracks while aggressive layered guitars add a cathartic and chaotic bliss to the climaxes of songs. Definately worth checking out.

Random Post for Anonymous # 4

2009-02-25T18:04:00.002+10:30

So i have stumbled upon this site full of ridiculous 'real life' fucked up stories which has provided me with ample entertainment over the past week. Seriously. if you're having a bad day do check it out!

Fuck My Life

peace.

Kashiwa Daisuke - 5 Dec.

2009-02-22T16:45:00.002+10:30

Gone are the modern classical and organic song structures of Program Music 1. So what comes next for a seemingly accomplished modern composer of reveered underground success? Daisuke has opted for the electronic side of the coin, and on this, his third full length he brings a contrast of sonic temptation for the music geek.

The album is, save from piano, an exhibition in electronic and glitch with heavy overtones and erratic beats. Often Daisuke weilds an assault of guitar solos - you'd think he'd spent his time away from the studio listening to nothing but Omar Rodriguez Lopez. Despite this his solos are harsh but well placed to display his craft as he balances out this beat laden almost glitch-core album with some beautiful pieces of manipulated piano-tronica sounding tracks.

Overall it is a departure from what we are familiar from Daisuke, but it marks a turning point for him and one that is well timed to bring him into a new phase of his already illustrious discography.

メリー　- Modern Garde

2009-02-14T16:23:00.003+10:30

Part One
Part Two

Merry's first real effort into the musical world is permeated with punk/pop sensibility's while adding flare with jazzy rhythms and intriguing vocal styles to rope the listener in for a whole 40 something minutes. I bought this record in Japan and have enjoyed it ever since.

Merry teater on the edge of emotional boundaries and artistic creativity which in essence makes this album the perfect record to feel guilty for listening to it, but at the same time to not care about what you're listneing to and just enjoy it. The drumming is fast and hectic while the lead guitar jangles in and around the vocalists unique singing style, while nifty basswork holds the whole thing tightly together.

World's End Girlfriend - Hurtbreak Wonderland

2009-02-09T14:19:00.002+10:30

Maeda's work has a certain clutterdness that would put most people off even considering listneing to him. However, it is his frenetic and clumsy nature that brings out the true orignality of his work. His previous effort The Lie Lay Land to me was too hectic and all over the place - even for WEG, however i have come to this album and am stumped at it's beauty.

Maeda weaves strings with electronics to create a cacophonic and sparse aura of sound that come together and meet halfway between electronica and rock - kind of that space between one cliff and another - you know you will fall into the cravass - it's just what comes ot mind when it actually happens. This is what i feel with this music, it's confusing yet grabs you instantly by the balls and says you will enjoy this, no matter what. I don't know if you understand...but it's good stuff.

What i really liked about this record was the prominent use of the saxophone - it is such a versatile and emotional instrument and paired with sombre strings that Maeda uses to the enth degree is just mesmerising.

Aus - Antwarps

2009-02-08T13:40:00.003+10:30

Dreamy soundscapes are accompanied by breakbeats and idm-esque electronics that create a serene and reflective piece of work. Unlike Kashiwa Daisuke and his narrative style Aus creates music that guides the listener on a journey of themselves - allowing them the freedom to digest the music and see what it envelops the individual in.

Perfect for contemplation, relaxation and reflexive thought - this album slows down the world around you and takes hold of space and time quite literally. Enjoy.

Music News Kashiwa Daisuke - 5. Dec

2009-02-06T14:54:00.001+10:30

One of my ost anticipated releases of this year - Kashiwa Daisuke will follow up 2007's Program Music 1 with his new album due for release February 20th 2009.

Noble

"In his third album, “5 Dec.”, kashiwa daisuke makes yet another step into a new horizon. In this album, the artist’s signature melody with its flowing, oriental taste hides behind the shadows to be replaced by tearing voice samples and noisy and metallic guitar sounds thrashing almost violently on top of colorful uplifting beats such as break core, down tempo, bleep techno, and drum n’ bass. In contrast to the aggressive sounds of the first half, the second part of the album starting with the 6th track, “Silver Moon” guides audiences to a minimal world created through electronic sounds and the piano. As a whole, the album portrays a brilliant contrast of sound.

The melody of this album does not impose sentimentalism or nostalgia onto its listeners but rather, it takes them on a journey into rhythm from beginning to end. Even amidst the violent and excessive elements, there is always a composed eye seeing into the passion that lies beneath, there is a self-disciplined, strict interpretation of the world, a sublime and metallic texture… this is what the artist kashiwa daisuke may be all about. Turn your ears and experience the fruit of kashiwa daisuke’s new challenge and step with him into a whole new level of musical originality.

Mono - Walking Clouds and Deep Red Sky, Flag Fluttered and the Sun Shined

2009-02-06T14:40:00.003+10:30

I'm not a Mono expert and this is the only album i have been exposed to, but damn is this thing beautiful. For a long time iv'e held off from listneing to any Mono material, and i don't know why. I was hesitant to delve into the Japanese Post-rock four piece because i thought they wouldn't really move me in anyway. I was wrong, i'll admit it right here.

The music itself is achingly beautiful - it takes it's time, but doesn't meander around for too long. I find automatic comparisons to Mogwai in the louder tracks - however they differ in that the use of strings invokes such vivid imagery during the album that makes it intensly mystifying. This album is a post-rock enthusiasts dream, especially of the GY!BE ilk - but there is plenty to be enjoyed by any music fan.

The Land of the Rising Sun

2009-02-04T23:46:00.002+10:30

I have decided that all this month I will feature the brilliant and ever-emerging sounds being produced by Japanese artists and groups from both now and the past. The music scene is little known outside of the Japanese world however if you take time to look into the vast and wonderful aray of sounds being emitted from Japan you will not be dissapointed. I hope you enjoy all that is brought during this February. Cheers.

Moros Eros - I Saw The Devil Last Night And Now The Sun Shines Bright

2009-01-29T22:04:00.003+10:30

Moros Eros exploded into my world mid last year and have spent the majority of my time rocking my ears for the most part of 2008. I picked this record up purely because of the sticker on the cover art citing Mars Volta, Modest Mouse and some other band as influences. Do they sound like these bands? No. Are they any good? Yes they are.

Moros Eros have this awesome energy driven by the rhythm section of the band. Much like The Kinison or Bear Vs Shark - this rhythm section never fails to hit the spot and hold everything tightly together. Pair these dynamics up with quite an energetic and interesting vocalist and punchy guitar riffs from all sorts of angles and you get the lovable, danceable and sing at the top of your lungs music that this album shines with. Perfect for driving or rocking in your room - i havn't found a reason to not listen to these guys yet.

The drumming on When I Wake is superb and lfows from speaker to speaker with clarity and depth while the catchy chorus of Satan Has A Heart of Gold could go on forever in your head. If i were to be picky, the album would be a little to short at just under 40 mintues, but maybe that's why the thing is so darn good from start to finish....

What does it mean to you?

2009-01-26T11:25:00.002+10:30

On a recent discussion surrounding mainstream music and 'selling out' i have pondered somethoughts about music in general and what i personally feel is a great musical philosophy to hold to oneself.

Recently my favourite band The Mars Volta was nominated for a Grammy in the category of Best Single for the song Wax Simulacra. Quite ana chievement for a progressive rock, latin, salsa, funk, punk band to be honest - but to look who they're up against - Disturbed being one opponent - it occured to me that the way we divide music into categories of 'good', 'bad', 'generic' and 'mainstream' is completely irrelevant. The Mars Volta have also garnered a shit-ton of publicity following their latest endeavour The Bedlam in Goliath. Magazine and radio interviews set aside - it appears that the band are garnering somewhat of a wave of publicity and 'mainstream' attention of sorts.

This attention has worried many existing fans - driving them to thoughts of the band selling out, becoming mainstream, attracting fan boys and girls a plenty. What i suggest is you needn't worry about all those things. No matter what artists/bands you listen to. Music isn't about what is cool, what is popular, how much money the artist makes, what clothes he or she wears or the perfume they produce. Music is about feeling, emotion and the way it makes you feel when you hear the sounds.

Music is, from my point of view a very private thing, and this is because music is unique to the listener - it doesn't matter how many people listen to 'your' band - it matters how you feel about the music when you have your headphones in, or when you're in your room blasting out your favourite artist. On the contrary, music can also be very public - when you go to a gig you share the experience with others, you feel the crowds energy feed off the bands stage presence - but in the end it all comes down to one word - feeling.

Emilie Simon - The Flower Book

2009-01-24T16:32:00.002+10:30

Emilie Simon's voice is that really sexy French kind....you know the one...it's soft, it's delicate, breathy and rediculously seductive. All that aside, her musical skills are masterful. She is a master of French electro-pop mixed in with often heavy bass beats and orchestral tinges. There is no doubt she is a beauty and when she sings,

"Come on, now im ready to close my eyes, and now im ready to close my mind, and now im ready to feel your hand, and lose my heart on the burning sand"

That you can't resist her sensuality. The title of that song is 'I wanna be oyur dog" by the way. I love her music and the way she constructs her songs - they are so well built around the drums accentuated with electronic and orchestral movements which compliment her overall sound wonderfully. She has done soundtracks for movies and delved into the pop world and you can only imagine where she can go in her career.

Lover, The Lord Has Left Us... - The Sound of Animals Fighting

2009-01-18T17:06:00.002+10:30

This, the supergroups first full length was somewhat of an ordeal for myself. I bought it expecting something along the lines of their first effort - the Tiger and the Duke EP. What i got was completely the opposite. Looking back i must have been completely ignorant - i didn't even give this record a solid chance - i threw it at the back of my collection vowing that it was no more than a drinks coaster to me. So about a year later a came back to it, and i'm glad i did because it is quite an acoomplished album.

This is a record that is built on collaboration and guest efforts which stretch far and wide - it is a very ubiquitous and demanding listen, but once you let yourself go and fall into it's trap you won't look back. The music holds beauty and groove liek no other, and commands the listener to expect more from each track. My Horse Must Lose is a slow groover which is irresistably chilled while the heavy bass/electronica of Horses in the Sky is complemented beutifully with a rocking chorus. The albums highest point however is the Heretic - a song that is full of beauty and balladry that will have you coming back again and again.

Review - Nick Cave and the Bad Seeds at Thebarton Theatre 14/01/09

2009-01-15T18:01:00.005+10:30

So it was my first time witnessing Australian legend Nick Cave perform with his famous Bad Seeds and it is safe to say that it was definately a night to remember. For a band who im guessing range anywhere between 40 and 60 years old the energy was intense as they belted through countless classic Seeds tunes such as the rollicking Deanna and the thunderous Tupelo.

One thing i was particularly astounded by was Cave's ability to make pretty much every girl/lady/granny in the audience go absolutely fucking wild and froth at the mouth. I'll cut to the chase, the man is an ugly son-of-a-bitch, but his charisma and charm while delivering ballads along the lines of The Ship Song and Straight To You was absolutely spot on. Cave would get on his knees infront of adoring women and hold their hands, letting them kiss whatever they could get their lips on - it must be the mullet he is sporting.

Sonically the seeds where amazing - utilizing two drummers to create chaos and intricacy at various points during the show. The most capturing Seed though was for me Warren Ellis playing the guitar, violin and anything he could get his paws on - just beautiful. The set hit points of frenzy when songs like Get Ready For Love where unleashed with the utmost power and hit more subtle notes with the beauty of songs such as The Weeping Song and Hold On To Yourself.

To my suprise it was the new material that was truly amazing to witness. If The Mercy Seat wasn't enough to wet your whistle the material from the latest Seeds LP was scintilating. Midnight Man rocked the crowd while Moonland and More News From Nowhere where perfect compliments to the setlist. Cave's voice was tremendous all night and was absolutely thrashed in the shows closer Stagger Lee - a brutal and cacophonic sonic attack which left the crowd wanting more and more. Amazing.

Acoustic Ladyland - Skinny Grin

2009-01-14T13:18:00.004+10:30

This English trio tend to spazz out alot - at times the instrumentation can be harsh and make your ears bleed - but i think that's what these men are trying to do to you while playing their sax's, drums and guitars as frenetically as they possibly can. The album does have it's slower more....sensual moments which gives me a little time to relax while a collect myself after the hectic nature of their faster tracks. My favourite slice would have to be Cuts and Lies. Built around a funky guitar and bass dual the female vocalist sounds sexy and sassy all over this track - and when the saxaphone kicks in your ready for aural sitmulation of no other kind :)

Random Post for Anonymous #3

2009-01-12T13:10:00.002+10:30

Watching the news today made me realise something. How god damn lucky I am to live in such a country as Australia. A place where i can walk down the street without fear of harm, a place where i can feel safe wherever i am. I forget a lot that I, and many others are blessed to live in this country - while millions of others around the world live in fear constantly, live in poverty and are not given the opportunities that we all get here. So yes, things may be shit for me or people close to me - but compared to others - our shit does not even make a mark on the world's worries. I sincerely hope that the violence occuring in the world right now resides and peace can be found...

1000 Visitors - The Offspring - Ignition

2009-01-10T19:49:00.002+10:30

So with this, my self-indulging commemorative 1000th visit post. Wow that was a mouthfull. I will bring you an album that while may be considered by many to be insignificant or uncool - is considered by me to have shaped my love affair with music itself. No, Ignition by The Offspring did not push boundaries, and no it didn't make dents in the music world - but it has quite a place in my heart.

There is this unbridled energy to this record that makes me keep going back to it's punk riffs, pounding drums, driving bass and Dexter's unmistakable vocals. The album kicks off with 'Session' - an energetic a straight forward rock against the shitty girlfriend tune - great for those fight nights! From then on 1992's Ignition takes you on a journey through some very awesome tunes including Kick Him When He's Down and the undoubtedly favoured Offspring fan song - Dirty Magic.

Often overlooked because of their next release 'Smash' - which im sure you know has sold the most copies ever on an independant label - Ignition is where i believe Offspring really let themselves go and throw caution to the wind - unparalled punk energy full of vigour and determination - Rock On.

The Stiletto Formal - Fiesta Fiesta Fiesta Fiesta!

2009-01-06T10:36:00.003+10:30

I like this album - mainlyu because it sounds a bit more fresh than most punk/hardcore/new wave whatever the fuck you wanna call it. The vocalist sounds scaringly similiar to Cedric Bixler Zavala of ATDI fame as well - and it makes for a very powerful and emotive voice. The band are great, with varying instruments from cello to guitars and it all mixes very well.

The opener is strong as hell and the singer's voice is the strong point - with the playing a daring roll in keeping the music powerful and unpredictable. Something good about htis band is the unpredictability of the tunes here. Give it a try and im sure you'll love it.

Parov Stelar - The Flame of Fame

2009-01-04T14:21:00.002+10:30

Just when i thought i'd heard it all, Parov Stelar knocks me off my feet with this, his 2008 release "The Flame of Fame". And what a treat it is, Stelar musical and cognitive genious is expounded with four tracks full of electronic beats that are made for the dancefloors mixed with a deadly concoction of 30's swing/jazz samples and vocal dubs that are irresistably danceable.

I'd have to say this EP is even better than the one i just posted, purely because of it's infectious grooves. The title track is the classic Stelar mix of swing and beats, while Fleur De Lille is the most astounding effort on the disc - presenting the lsitneer with a blend of jazz and Daft Punk-style electronic bliss. The EP closes with Matilda - a real rocking number, complete with solid piano throughout, thick bass, a tripped out guitar line and awesome sampled vocals.

Treat Yourself to this wonder.

Parov Stelar - Libella Swing

2009-01-03T15:27:00.004+10:30

This little number caught me off guard - released late last year, this is yet another addition to the wonderful catalogue of Austrian underground artist Parov Stelar. For those of you unfamiliar with the man, he is singlehandedly marrying the old with the new - producing sexy, danceable beats with samples of the past - and to an astonishing degree.

Libella Swing is comprised of five tracks that are more upbeat than Stelar's full lengths - driving bass beats accompany for the most part jazz and swing samples that transport you back to the dancefloor days of the 50's, all the while keeping the tunes fresh and modern with that feel of classy, dark and sexy jazz bar niche.

Contained on this release is the amazing Homesick - originally appearing on his last LP Shine - on this offering it has been transformed to a full blown club mix - something i've been longing for of that song for a while. Libella swing offers a breakdown reminiscent of Daft Punk while still maintaning the classic Parov Stelar feel - the disc closes with Blind Alley (late night mix) which completes this EP off very nicely. If there was ever a time to get into Parov Stelar, it is now.

Happy New Years

2008-12-31T10:20:00.000+10:30

Thankyou to all who have come here to read/comment/listen over the last four months - will catch you all in the new year - peace.

Soil and Pimp Sessions - Pimp Master

2008-12-30T19:47:00.002+10:30

Another japanese band to showcase here at Whatever Takes Your Fancy - did anyone say Jazz? how about psycho jazz? or death jazz as it has been described. I love me some jazz music, you know the laid back kind that you can chill to - so when i first played this album i obviously had no idea what i was getting into - luckily the tunes hit me like a freight train and my face was melted by amazing musicianship and funky ass dance floor jazz. You really feel the energy dripping off these guys as they play - its fun and frenetic and damn right catchy - tight intense drumming is backed by alarming horns, thumping bass and one hell of a crazy frontman who is supposedly only there for the entertainment factor during live shows - do yourself a favour and check this out...

Dir en Grey - Kisou

2008-12-28T18:49:00.008+10:30

Long before Dir en Grey sort of sold out to the tidal wave of nu-metal lingered a dark, disturbing yet delicate visual kei band - straddling the line between metal, melodic punk, and beautiful pop balladry. It was from Gauze to (and i am hesitant to say so) Vulgar did Dir en Grey own the j-rock arena - producing interesting, forward thinking rock music for the masses who ate it up gleefully.

And why wouldn't they? With a pulsing drummer, off-kilter and menacing guitar work with a bass that would rattle your walls. The real selling point of the band however lies in Kyo's rather intriguing vocals. He is a nutter, to say the least - utilising his voice to maximum capacity with an emotive singing voice, harsh screams, and noises that i would describe as out of this world.

What is great about this album is it's diversity - Dir en Grey stretch their imagination from the hard hitting punk opener Kigan to the electronica driven beats of Shinsou. Standout ballads are also apparent with the beautiful 24 Cylinders and the harrowingly painful Mushi.

Merry Christmas

2008-12-25T18:41:00.002+10:30

Yes it is that merry time of year - Merry Christmas to all my readers and fellow bloggers
- Rachel at inasafeplace
- captainmelody
- chewinggumforears
- secreta music
- brian bohan wherever you are
- and yourhappymakesmegooldies

to my family in Queensland Merry Christmas and especially to Anonymous - Merry Christmas

Peace and Love

New Layout

2008-12-23T21:53:00.002+10:30

If anyone comes here frequently i apologize for the change of layout and colour scheme. I'm the type of person who gets bored with things like that after a while - an example is that i move the furniture in my room around frequently because i can't have it the same for too long - this is similiar to that haha.

Music will continue to flow, and thanks for visiting!

Saltillo - Ganglion

2008-12-23T21:10:00.004+10:30

Saltillo crafts the most beautiful and demanding trip hop beats intertwined with classical movements of simple beauty. Also incorporated are sound clips from god knows where, but they add a layer of intensity and urgency to the songs. Certainly refreshing and laid back, dark and disturbing yet beautiful and majestic at times. The heart tugging vocals on "i'm on the wrong side" grip at you and dont let go. A must have of 2008.

The Cinematic Orchestra - Live at the Royal Albert Hall

2008-12-23T10:24:00.004+10:30

I've just bought tickets to this amazing bands show in Adelaide on January the 19th and in doing so it has prompted me to offer you this stunning live album by the Cinematic Orchestra. This eclectic live show brings together genres of all kinds including soul, jazz, classical, pop, electronica and trip-hop offering the listener with a smorgosbord of tastes to dabble into. Perfect for a hot summers night chilling outside with your favourite beverage, this band will help you pass the time without a worry in the world.

P1
P2

Random Post for Anonymous #2

2008-12-16T20:46:00.002+10:30

So it makes you angry when the Australian government pledges to cut Co2 emissions by only five per cent in the next what? 25 years i think? pretty pathetic if you ask me. But then the next news story came on - GIGANTIC JUMPING SPIDERS IN ASIAN JUNGLES!

MY GF IS ASIAN - that means there is a possibility that while even though she was born here, she has brought back the demon spiders and they could infest my general living area - which is not good because i hate and am petrified of spiders!!! How does this all tie together? well these newly discovered super species are very low in numbers, and can be wiped out due to greenhouse gases and global warming! Clearly the Australian government has taken these super dangerous monkey spiders into account and has only chosen to cut emissions by 5 per cent to destroy these...these...things!

Kudos to you Australian government!

(i do not in any way endorse the governments new emissions scheme and am abhorently in objection to the dangerously low emissions cut proposals)

The Kinison - What Are You Listneing To?

2008-12-15T11:59:00.002+10:30

Permeated with crunching guitars this album by now defunct The Kinison is an intense journey into the then emerging punk/hardcore seen of 2004. What stands out about this album is the cathartic rhythm section which just begs you to get up in your room, out of your chair and dance till your legs fall off. It's fun hardcore that makes you wanna groove - and who would pass that up?

Geoffrey Gurrumul Yunupingu - Gurrumul

2008-12-09T22:12:00.003+10:30

Insane hype over this man. Absolutely insane hype over this man in Australia and it is growing throughout the world. He played for the Queen, literally meters away from her. You know what, never in my wildest dreams did i think my Album of the Year title would go to an Australian artist...but with this, Goeffrey Gurrumul's first solo effort - the title has been awarded.

This man is no ordinary man. This Indigneous Australian was born blind, was born into the most disadvantaged culture in this country. And he has brought such a wonderful gift to all of this continents inhabitants. He learnt the guitar by ear and plays it upside down, he has also mastered keyboards and drums (which is amazing, but dont feature on this cd).

All of this set aside, his voice is his true and most inspiring instrument. His voice is the most sincere, heartfelt, evocative, emotive, captivating and enthralling voice i have heard - ok big call here - in my whole life. I almost cried during the second track, it just holds that kind of transcendental beauty, it is a voice that could last forever even when it had passed.

The album itself is nothign short of a masterpiece. It is nothing more than a man with his guitar - no songs of protest against Indigenous affairs, no songs of disdain or hatred - just songs of pure beauty, songs about culture, his homeland, his family and himself. The majority is sung in his native tongue, of which few understand - however it doesn't take a second to understand him at all - his voice carries feeling with ease and transparency that i have not seen before. His guitar playing is sublime and contemplative with just the right amount of subtelty that si required to compliment his unique and diverse vocal chords.

Album of the Year.

The Evpatoria Report - Maar

2008-12-04T23:01:00.003+10:30

The Evpatoria Report is one of many many many post-rock outfits flooding the scene lately, which to be honest i don't mind because there is plenty of quality music for me to sink my teeth into. The Evpatoria Report show tinges of Explosions in the Sky prowess but also add flare with some jazzy keys, lax drumming and dreamy soundscapes that have a more laid back feel to them.

What i most enjoy about this album though is the bass, it really holds the tracks together especially with the sparce percussion and dreamy keys spinning out of control. The Guitars resemble that of EitS while crescendos and climaxes are of the GY!BE ilk. Another dynamic instrument added to the mix is a violin which really adds that speical layer of beauty that a lot of post-rock uses today.

Although comparisons can be drawn to GY!BE the songs themselves proabaly don't rely too much on heart tugging, tear jerking emotion, rather The Evpatoria Report opt for a more relaxed, dreamy and ethereal soundscape to push their art. Definately one of my top albums for 2008, time to check out their EP....

Maybeshewill - Not For Want of Trying

2008-12-01T19:06:00.002+10:30

I downloaded this because i thought the cover was amazingly beautiful - i dunno, theres just something about naked red heads that makes me take a second look - jks - what i found however was a nice suprise in this album by UK's Maybeshewill.

They play some instrumental math-rock for the most part of the album, however some tracks do have slight vocals and/or sound recordings from around the place. Highlights include the dreamy and playful I'm in Awe Amadeus! which includes a rolling piano line and frollicking drums - makes me feel like im surrounded by clouds and unicorns for some reason. There is also an aggressive tone to many of the songs and The Paris Hilton Sex Tape showcases this to perfection.

Maybeshewill can also slow things down abit - seen on the drum machine driven Heartflusters. The album's most epic track He Films the Clouds Part 2 is however something else - a journey that makes it's way slowly to a powerful climax and absolute beauty. It is certainly a feat when an artist can convey such emotion without the help of a vocalist to drive power.

The Fall of Troy - Phantom on the Horizon

2008-11-29T12:52:00.005+10:30

Mmmmmm yeah, the hardcore kid in me has awaken after years of hiding in the shadows. This is a fun time for me because I don't like to indulge in too much hardcore/post-whatever punk music these days. But this release has been begging to be listneed to for a good four long years. The Fall of Troy first recorded the Ghosthip Demos in 2004 and those songs had become somewhat of an anomoly ever since - never surfacing in a 'proper' release...until now.

Phantom on the Horizon is essentially a re-recording of the four original Ghostship demos along with Ghostship Part III - which from memory was never recorded. However, the songs have been injectedc new life and although very similar, pack a massive punch to the face. The songs seamlessly intertwine together to form the saga - which to be honest i dont care much for, it's the music in this neat little package that really fucks you up.

Chapter One plugs it's way in with a slow burning bass line that culminates into a massively heavy and daunting riff backed by what only can be described as strings mixed with vocals mixed with ghosts and ghouls not of this world. It is a scary affair this ghsotship but a trip that will leave you wanting more. Erak's vocals while containing less screaming than the demo versions are neither boring nor inflated. He uses his voice well, which is to be debated by many hardcore TFOT followers but it is welcoming and fresh and his high pitch can lift a song from 9/10 to a clear 10.

My personal favourite - Ghostship IV is a face melter - witht he most incredible solo that kicks the song off to growls, screams, thick heavy bass, pludering drums and intense guitar work that must be seen to be believed. Clocking in at 37 minutes and 7 seconds this EP is one not to be missed, and will leave you wanting more and more.

Random Post for Anonymous

2008-11-25T09:24:00.005+10:30

So I made a trip to uni the other day, i don't know which day but it was one of them lol.
Anyway, i was studying, and nature called - made my way to the toilet and i was reminded about me posting something on here that's been on my mind regarding university toilets.

The thing is, when i study the walls of uni toilets they all still have the same stupid shit written on them, you know, like in high school they're all graffitied with marker and stuff. But there is a fundamental difference. In high school the graffiti usually consists of something like a penis drawn on a wall, or some year 11 scribing "mr jones is a cockfag" or something like that. It is not like that at univeristy, at uni the markings are of much more witty standard, and sometimes incorporate intellectual debate.

If you ever get the chance (guys) to go to the D1-20 auditiorium toilets on the Magill campus there is a very intriguing debate about the meaning of life in the first cubicle. Also, in the C buildings toilet block there are some very funny comments about our very own Mr Kevin Rudd tracked onto the inside of the otilet door. But my personal favourite resides in the Library men's toilets - an intellectual discussion on the colour of poo provided many a laughs while i carried on with my business.

This concludes this random post, more music very soon!

Parov Stelar - Shine

2008-11-22T15:32:00.004+10:30

Parov Stelar is a relatively unknown fella, but i recently saw his record in the beats section of my local record store and was presently suprised and somewhat bemused at seeing his most recent offering Shine adorn the endless shelves of mainstream dance music.

This is clever music, it's the kind of stuff you put on in the background on a hot summer's night while sitting out in the backyard sipping on your favourite beverage - carefree. So what does it actually entail? Well, i can tell you that it is a trip into thick beats and downtempo lounge-electronica. It's pleasently fucked up and exceedingly coooool at the same time. You know, the kind of cool that soothes the soul - speaking of soul the guest vocalists (the female vocals) are extremly soulful and pronounced, and they blend beautifully with the warm and alluring bass tones, sharp and funky beats and playful horn sections that Stelar pastes together meticulously.

Shine adds gloss to the melancholic but also to the upbeat (see Love[part1]) for a toe tapping extraveganza complete with a catchy vocal sample and swirling, electrifying synths. The genious in Stelar's work is embedded in his infectious grooves and laid-back jazzy, funky and dare i sexy beats.

Blog Shoutout

2008-11-22T12:51:00.002+10:30

So i've had some pretty generous reader's laetly, including some other fantastic blogs, so i thought i'd return the favour and direct you to some very good reading.

Captain Melody's Music Reviews
Check here for all of your music review needs, a neat blog with lots of great reading.

In-a-safe-place
I've been checking back here for a long time now and Rachel who runs this place has great taste in music, a wonderful blog.

Secreta Music
An extremely diverse blog, if you're looking for something out of the norm, this is the place.

when we were younger and better
Check here for soem eclectic and off-kilter releases.

Anathallo - Canopy Glow Review

2008-11-18T20:25:00.002+10:30

I think i've fallen in love with this album, much like i did with floating world - but this one just leaves some sort of resonate beauty in the air surrounding my speakers. I received this in the mail today, pre-ordered of course and i watched as my girlfriend stole it from me and opened it so i wouldn't be overun with excitement, alas it was handed to me and it graced my eager hands begging to be opened and played.

Overall, this album plays like a journey through life, and if time permits ill have a bit of an interpretation up in a few weeks. The recurring themes of birth, lifes experiences, ageing and death seem to peek through the songs lyrical content as they're intertwined with wonderfully crafted melodies and harmonized vocals. But then again, what more would you expect form Anathallo? On this, their sophomore effort, they have opted for tighter song structures as opposed to the sparceness and general complexity of Floating World (not that that was a bad thing!). This focused song writing is however a blessing and holds the record with much more restraint and allows it to ebb and flow effortlessly.

I'm going to review the songs individually as i don't want you to miss out on any of the juicy bits this album presents the listener with.

Noni's Field - The album kicks off with shakers and an upbeat intro track. This song has been around for agggges but still gives me shivers of joy each time i listen to it. Anathallo trademark vocal harmonies are abundant surrounding a prominent piano, hand claps and warm fuzzy bass frollicking around the mix. The song is pure bliss (given the theme is detah) and ends with beautiful string arrangements. (9.5/10)

Italo - Italo has this irresistable charm to it. Erica's vocals lift up and bound with pace. It's a genuine sing-a-long track that while jumping and electric it is oceanic in stature. I think they use bricks rubbed against each other in this? Almost as pretentious as the velcro they used in Floating World - but it works, so well. I needn't say more. (10/10)

Northern Lights - Ushered in by the engine of a church organ and what appears to be shuffling feet this would have to be the most beautiful song on the record. Half way through, when everything stops, and the delicate bells are tinging in your ears is one of those moments that just make you sit back and reflect, on everything that you've ever experienced. I've been trying to pinpoint a nice phrase for this epiphanic point - all i can say is my heart stops. Amazing. (10/10)

The River - The lead single fromt he album and it is one of the most catchy and growing songs on the cd. The good thing about Anathallo is there is always somethign to discover on each listen. It is truly a headphones album. So how is this song? It's singable, it's danceable, it's a cacophony of pianos, strings, horns and a myriad of intriguing instruments that guide you to wonderful places. (10/10)

Cafetorium - From what i can gather a biblically influenced song. I've heard that Anathallo's religious roots turn a lot of people off which i think is very unfortunate. Their ability to tell a story, a religious one at that and incorporate it into their own unique style is amazing and should not be overlooked, and this is no exception. (9/10)

Sleeping Torpor - Another delicate song, Erica's voice gives you the impression that if you drop her she'd break, and this is what i like about her vocals on this album. This track would to me best fit somewhere on Floating World - it has the odd and burstly horn sections, slow burning tempo and distinct querkiness. In the context of this record it fits perfectly in the middle and gives the listener a break before entering the second half. (8.5/10)

All The First Pages - A masterpiece. This is my favourite track, although it is very hard to choose one. The way this song constructs denoument is entirely what makes it. The first half is dedicated to building a foundation block that lifts the second half of the song into the stratisphere - sweeping strings and perfect vocal harmonies drag you in and don't let you go. The percussion is what holds it all together though, showcased well on this track. (10/10)

John J. Audobon - Once again we are treated to the exubrant playfulness that Anathallo is known for. Backing vocals carry themselves behind the leads flowing and discordant lyrics to make for an ec lectic and engaging song. (9/10)

Bells - This song is quite a concept, it is built entirely from hand bells found in the church where the band played and practiced in Chicago. I get the feeling the song is about ageing and losing your mind, losing sanity and about the diminishment of memory. It is sad, and brooding, harrowing even - but i wonderful observation of the challenges life throws us. (9/10)

Tower of Babel - The album finishes with a gentle, calming and sombre affair. It is a song that engages throughout and even gets me singing from time to time. I think it was th eperfect way to close this album - it is dark and contemplative - what the album seems to posess as a whole - and it is done to perfection. (10/10)

Overall Score: 93/100

Emancipator - Soon it Will be Cold Enough

2008-11-17T22:07:00.003+10:30

Emancipator is what i believe first and foremost a hip-hop producer, but bursted out with this solo effort that is lavished in wintery goodness. It's trip-hop and beats orientated coolness is iced over with sombre violins and glitchy yet pure and atmospheric acoustic guitar. The electronics are what brings the wintery feel to the album, a journey through fields of snow and forrestry is what im feeling when lisntieng to this album. A definate one to chill to.

Pinkly Smooth - Unfortunate Snort

2008-11-13T21:36:00.004+10:30

This is somewhat of a novelty album for me. I do enjoy it thoroughly though and that's because it's so....so deranged. It's a fucking mess, death references, cannibalistic undertones, spastic vocals, jangly pianos and heavy thick riffs are abundant and not afraid to push the envelope to use an overstated phrase.

It's only 27 minutes but it's 27 minutes you will not forget.

PW: fourthstation

Ma Fleur - The Cinematic Orchestra

2008-11-11T15:21:00.002+10:30

A dreamy lounge jazz cacophony. The opener "To Build A Home" is a masterpiece of emotive beauty - the song is magical in everyway and form there onwards the listener is treated to an amalgamation of soulful vocals, breathtaking arrangements, and subtle acoustics to full blown electronics. It is a jazz record pure and simple - but a jazz record incorporating all that is electronic and acoustic in 11 amazing tracks.

Anathallo Forum

2008-11-09T20:16:00.008+10:30

I have created a forum for the band Anathallo - if you enjoy them please check it out!

www.cafetorium.invisionplus.net

I really don't expect it to take off at all, just a little experiment coz i am fair bored right now.
More music coming soon....

Beirut - The Flying Club Cup

2008-11-07T17:06:00.002+10:30

You wouldn't believe this early twenty something hails from the good old US of A because his sound is ridiculously European and flavoured. It is an amazing achievement at his tender age that he releases such a stunning and cultured album of tunes - what amazes me more is his mastering of many of the instruments on this record.

The album itself covers alot of Balkan territory utilizing anything from brass instruments to full blown string arrangements. It is somewhat of a refreshing blast from the past and takes you on a wonderful journey - his voice is equally amazing and powerful with a passionate and evocative pull for the listener.

For Caz

Godspeed You! Black Emporer - F#A# Infinity

2008-11-06T20:07:00.002+10:30

Only when i came back to this album around 6 months after purchase did i really sink my teeth into it properly. And i am glad that i persisted with it. Ominous and harrowing soundscapes build into an apocolyptic sonic attack. The first track is probably the scariest of the three involving a found sound recording of a man narrating what seems to be the end of the world - and oh my does the music reflect this brilliantly.

Each song consists of a few sections that either build up to a climactic peak or wither away with drones and repititive soundlogs. No matter which way it goes GY!BE tend to take you from serene beauty and horrific darkeness. This is a must have.

McAttack

2008-11-06T18:47:00.001+10:30

First training tonight for our work bball team and it went pretty well, we've figured out some nice combinations for attack and built our rebound strength ALOT. Like ALOT!
However im notw damn tired, really tired, but that's ok because it is all about fitness right? MIRITE?

Stay tuned for another album soon!

Peace

Waldemar Bastos - Pretaluz (blacklight)

2008-11-05T18:42:00.006+10:30

Not often does a voice like this come around too often. Waldermar Bastos hails from Angola and is prolific in creating mood with his vibrant and emotive vocal chords. Incorporating elements of afrobeat and tropicalia in his wonderfully balanced album he manages to take you into his world of sincerity and beauty contrasting this with some darker and sombre moments.

Rainha Ginga incorporates playful percussion behind upbeat guitar work a bouncy bass mid section while Muxima displays Bastos's amazingly powerful vocal capabilities. A wonderfully diverse and evocative album. Highly recomended.

I uhm....I ahhh...I dont know how to say this...but...

2008-11-04T20:33:00.004+10:30

You stink. Seriously i was sitting watching dancing with the stars last night with the parentals and i farted. You know, not like intentionally, but it leaked out, nothing i could do right? Am i right? I think so. So what does alex do? How does he weasle his way out of this potentially fatal situation? He blames it on the dogs, yes, i felt bad and most probably lost sleep last night bcoz of it...but its not unethical for me to do so right? meh. who cares.

So i wonder what you're thinking right now....has he gone isnane? has he totally lost his cobbles and is walking theplank to a mental asylum? NO. He hasn't. And he will continue with posting great music on this blog. But i (LN) feel i need to insert some random, nonsensical shit in between posts otherwise ur coming here for music and going. I mean is it too much to ask that you stay for a cup of tea and a biccie every now and then? i dont think so.

In saying that though, i do appreciate all you who visit htis blog (which probably isnt many) but hey, gotta start somewhere right?

Peace and Love

Orion Rigel Dommisse - What I Want From You Is Sweet

2008-11-04T19:11:00.003+10:30

This wonderous record gives off the impression that if this girl was dropped she would shatter like glass. The fragility in her voice is only exemplicated in her instrumentation. Layered with mysterious string sections, eery synth and key lines and held together by a folky guitar this album presents something sweet, sublime and intricate. I am reluctant to use the word minimalist as there is a lot going on, but the songs seem simple in there own complexity.

At times the tracks seem haunting, menacing even and in others I envision shimmers of light through a dark forrest. It is strange what music can do isn't it?

Enjoy

Venetian Snares - Rossz csillag alatt született

2008-11-01T19:02:00.004+10:30

Aaron Funk, the man behind Venetian Snares somehow manages to meld classical works with his unique and well known brand of jungle/drum n bass and does it to absolute perfection. This extremely dark and melancholic record demonstrates the sheer veracity of Funk's heavy and hard hitting beats while presenting another world of beauty incorporating achingly painful string arrangements and serene soundscapes.

No matter what you are into, this record is a must have, as it delves into an extremely innovative and fresh way of mixing genres and does it so well, it holds your attention for the whole record. It is great to lose yourself in such beauty and catharticness at the very same time.

Alex's Top Five Albums of All Time (2)

2008-10-31T17:25:00.007+10:30

Anathallo - Floating World - Artist Freidnship Society (2006)

--------------------------

Anathallo screams fresh, the seven piece from Mt Pleasant took over my world a year or so ago, and still they do not go unheard for more than a week - which just shows they are a force to be reckoned with, especially with all the music that i have waying down my back.

Anathallo's music is the kind where, ok, let me put it this way. You are 16, you walk into your room after your mother has just yelled at you to clean it and you look at the floor. What first runs through your mind is where the hell do i start? with the clothes on the floor or the dust collecting on your turntable? well this is how i feel right now beginning this review. Although this 'clutterdness' may put the general listener off, it is this that makes Anathallo such a refreshing and breathtaking band in this modern era of...well...crap really.

There are a few things that Anathallo have done to make this, their first effort into the world of long plays, such a formidable force of aural pleasure. Let's run through them shall we!

(1) You cannot, i repeat CANNOT go wrong with Japanese folktales. The album, centred around four pieces of musicianship (entitled Hanasakajiiji) follows the Japanese native tale of a super dog (i think) and it somehow meshes with the fairytale-esque, fantastical atmosphere that the album oozes of constantly. In addition the Japanese lyrics take the listener out of the comfort zone of English - juxtaposing what you thought was predictable is now the unpredictable, something every album should encompass and this one has mastered the craft.

(2) Diverse instrumentation has propelled this band well past their physical age. The record waxes in maturity and gloates with such fantastic musical interplay. You will hear, and i kid you not, anything from trombones and trumpets to bricks (yes bricks) and velcro (serlsy wtf?). You will sit there and wonder in amazement how these 20 somethings have pulled it off, but they do in stunning fashion. The guitars are still there, the drums are still there and the bass too, but it's how the individual performances meld with each other to create a wonderful collaborative effort that form a central strength for this record.

(3) Vocal harmonies and damn catchy pop tunes. The first thing that drew me to this band was there beautiful and rich vocal harmonies. Their ability to blend chanting backing vocals with a frontman, their craft at intertwining delicate female vocals with chirpy male interplay (Dokkoise House) provides the audience with a certain elation and happiness.

(4) Piano. Used with fine delicacy, you can literally feel the keys being pressed lightly as a feather and as harshly as a mallet depending on what the troupe want you to feel. Once again, im going to drivvle on about this bands maturity, but you cannot look past the way these men and women use their art to its full effect. They certainly understand that silence within music is just as important as the sound itself, and they've tapped into this thought so well throughout the album. There are times when the listener tries to predict when the next note will eminate, leaving you feeling silly because where you thought you were going to hear a piano note, you don't, and realise that it is much better placed where the band intended. I hope you followed that.

(5) Lastly, i want to note the progressive nature of the music itself. The songs, although broken up into fourteen wonderfully ordered tracks, flow well together and play not as an album of songs, but one tale on a record. NOthing is isolated and everything is connected, it leaves you with a tremendous sense of achievement when hearing the last Japanese words ring true in your ears. The album is constantly evolving, and thus grabbing your attention in every respect. It is definately an album that demands attention to every facet, every second can and will command you and that is why this album does not fail. At all.

Although very delightful and awe-inspiring, the album does have it's darker moments. Light and shade are engulfed respectfully and it gives the record a finishing gloss that is hardly found in music today. Anathallo are easily one of my favourite bands, and i feel an extreme amount of gratitude to Luke Garnett for directing me to this bands unique and completely flawless style.

Whatever Takes Your Fancy

WTYF IS MOVING OUT!!!!

WTYF IS MOVING OUT!!!!

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