Whatever Takes Your Fancy

Thursday, July 23, 2009

Christina Courtin - Christina Courtin


Classically trained violinist turned singer-songwriter Christina Courtin last month released her first album featuring a myriad of guest appearances on a wide range of instruments. Produced by Greg Cohen this album shifts forms constantly channeling a chameleon vibe throughout its course.

Courtin draws inspiration - well rather influence from Ani Difranco in the more folky tracks and simultaneously drifts away from the classic singer-songwriter mould delving into spacious arrangements, quirky pop tinges and soft unspoken balladry easily.

You can purchase digitally from Nonesuch records and find out more about Christina Courtin here!

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Monday, June 29, 2009

Beirut - Live at the Music Hall of Williamsburg

I don't think it's possible for this man to dissapoint me, and until that day i shall remain enchanted by his incredible music. This live take transports the listener around the world. During 'La Javanaise' im sipping latte on the French Riviera, in the middle of 'Gulag Orkestar' i feel im leading a thousand romans into battle and half way through 'East Harlem' im drinking red wine with the love of my life. Beirut conjures images a plenty with his eclectic style melding together everythign that is delightful about his music - the ukelele, french horns, trumpets, harpischords, unique percussion and a myriad of ethnic nuances that you would like to add into that list. You really have to taste his brilliance for yourself to understand what this young man is all about.

PW in the comments.

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Sunday, April 26, 2009

Beirut - The Black Sessions

Ive always been interested on getting my hands on some live Beirut - ive been captivated by the way he layers his voice on his recordings and have been champing at th ebit to see how he can transform this into a live setting. What i find is this young man adapting to a live set by varying his voice even moreso - delving into different vocal techniques almost resembling sanskrit at times but alwasy beautiful. The ethnic undertones are set by his accompanying band which sets the mood through this journey of European folk tunes. Im only half way through and am loving it!

Hope you do to.

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Tuesday, March 31, 2009

Wolf Myer Orchestra and Parov Stelar - Femme Fatale

A delicate blend of soul, jazz, trip-hop and pop constitutes Wolf Myer's Femme Fatale. With a myriad of guest vocalists it is diverse and rich in quality with sexy soulful vocals provided by many and is accompanied by Parov Stelar's signature downtempo, smooth sound. At times dark and confronting, with dashes of funk and dance this album is great for those cool nights.

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Saturday, February 14, 2009

メリー - Modern Garde


Merry's first real effort into the musical world is permeated with punk/pop sensibility's while adding flare with jazzy rhythms and intriguing vocal styles to rope the listener in for a whole 40 something minutes. I bought this record in Japan and have enjoyed it ever since.

Merry teater on the edge of emotional boundaries and artistic creativity which in essence makes this album the perfect record to feel guilty for listening to it, but at the same time to not care about what you're listneing to and just enjoy it. The drumming is fast and hectic while the lead guitar jangles in and around the vocalists unique singing style, while nifty basswork holds the whole thing tightly together.

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Saturday, January 24, 2009

Emilie Simon - The Flower Book

Emilie Simon's voice is that really sexy French kind....you know the one...it's soft, it's delicate, breathy and rediculously seductive. All that aside, her musical skills are masterful. She is a master of French electro-pop mixed in with often heavy bass beats and orchestral tinges. There is no doubt she is a beauty and when she sings,

"Come on, now im ready to close my eyes, and now im ready to close my mind, and now im ready to feel your hand, and lose my heart on the burning sand"

That you can't resist her sensuality. The title of that song is 'I wanna be oyur dog" by the way. I love her music and the way she constructs her songs - they are so well built around the drums accentuated with electronic and orchestral movements which compliment her overall sound wonderfully. She has done soundtracks for movies and delved into the pop world and you can only imagine where she can go in her career.

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Tuesday, November 18, 2008

Anathallo - Canopy Glow Review

I think i've fallen in love with this album, much like i did with floating world - but this one just leaves some sort of resonate beauty in the air surrounding my speakers. I received this in the mail today, pre-ordered of course and i watched as my girlfriend stole it from me and opened it so i wouldn't be overun with excitement, alas it was handed to me and it graced my eager hands begging to be opened and played.

Overall, this album plays like a journey through life, and if time permits ill have a bit of an interpretation up in a few weeks. The recurring themes of birth, lifes experiences, ageing and death seem to peek through the songs lyrical content as they're intertwined with wonderfully crafted melodies and harmonized vocals. But then again, what more would you expect form Anathallo? On this, their sophomore effort, they have opted for tighter song structures as opposed to the sparceness and general complexity of Floating World (not that that was a bad thing!). This focused song writing is however a blessing and holds the record with much more restraint and allows it to ebb and flow effortlessly.

I'm going to review the songs individually as i don't want you to miss out on any of the juicy bits this album presents the listener with.

Noni's Field - The album kicks off with shakers and an upbeat intro track. This song has been around for agggges but still gives me shivers of joy each time i listen to it. Anathallo trademark vocal harmonies are abundant surrounding a prominent piano, hand claps and warm fuzzy bass frollicking around the mix. The song is pure bliss (given the theme is detah) and ends with beautiful string arrangements. (9.5/10)

Italo -
Italo has this irresistable charm to it. Erica's vocals lift up and bound with pace. It's a genuine sing-a-long track that while jumping and electric it is oceanic in stature. I think they use bricks rubbed against each other in this? Almost as pretentious as the velcro they used in Floating World - but it works, so well. I needn't say more. (10/10)

Northern Lights -
Ushered in by the engine of a church organ and what appears to be shuffling feet this would have to be the most beautiful song on the record. Half way through, when everything stops, and the delicate bells are tinging in your ears is one of those moments that just make you sit back and reflect, on everything that you've ever experienced. I've been trying to pinpoint a nice phrase for this epiphanic point - all i can say is my heart stops. Amazing. (10/10)

The River -
The lead single fromt he album and it is one of the most catchy and growing songs on the cd. The good thing about Anathallo is there is always somethign to discover on each listen. It is truly a headphones album. So how is this song? It's singable, it's danceable, it's a cacophony of pianos, strings, horns and a myriad of intriguing instruments that guide you to wonderful places. (10/10)

Cafetorium -
From what i can gather a biblically influenced song. I've heard that Anathallo's religious roots turn a lot of people off which i think is very unfortunate. Their ability to tell a story, a religious one at that and incorporate it into their own unique style is amazing and should not be overlooked, and this is no exception. (9/10)

Sleeping Torpor -
Another delicate song, Erica's voice gives you the impression that if you drop her she'd break, and this is what i like about her vocals on this album. This track would to me best fit somewhere on Floating World - it has the odd and burstly horn sections, slow burning tempo and distinct querkiness. In the context of this record it fits perfectly in the middle and gives the listener a break before entering the second half. (8.5/10)

All The First Pages -
A masterpiece. This is my favourite track, although it is very hard to choose one. The way this song constructs denoument is entirely what makes it. The first half is dedicated to building a foundation block that lifts the second half of the song into the stratisphere - sweeping strings and perfect vocal harmonies drag you in and don't let you go. The percussion is what holds it all together though, showcased well on this track. (10/10)

John J. Audobon -
Once again we are treated to the exubrant playfulness that Anathallo is known for. Backing vocals carry themselves behind the leads flowing and discordant lyrics to make for an ec lectic and engaging song. (9/10)

Bells -
This song is quite a concept, it is built entirely from hand bells found in the church where the band played and practiced in Chicago. I get the feeling the song is about ageing and losing your mind, losing sanity and about the diminishment of memory. It is sad, and brooding, harrowing even - but i wonderful observation of the challenges life throws us. (9/10)

Tower of Babel -
The album finishes with a gentle, calming and sombre affair. It is a song that engages throughout and even gets me singing from time to time. I think it was th eperfect way to close this album - it is dark and contemplative - what the album seems to posess as a whole - and it is done to perfection. (10/10)

Overall Score: 93/100




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